The Real Meaning of Georgia O’Keeffe’s Flowers Georgia O’Keeffe knew flowers bette
The Real Meaning of Georgia O’Keeffe’s Flowers Georgia O’Keeffe knew flowers better than most. In the 1930s, she wrote of her desire to paint the humble flower enlarged and up-close. “I’ll paint it big, and they will be surprised into taking time to look at it,” she wrote. “I will make even busy New Yorkers take time to see what I see of flowers.”Busy New Yorkers did take time, but many of them didn’t see what O’Keeffe saw. Since her first gallery show in 1916, critics have hailed her work—especially those close-cropped flora portraits—as an expression of womanhood and, often, the female sex organ. For nearly as long, O’Keeffe, who died in 1986, begged to differ. “You hung all your own associations with flowers on my flower,” she complained in 1939. “You write about my flower as if I think and see what you think and see of the flower—and I don’t.” Read more. -- source link
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