vaspider: mother-entropy:amuseoffyre:indieninja92:monstrousgourmandizingcats: abbaskiarostami:zarohk
vaspider: mother-entropy:amuseoffyre:indieninja92:monstrousgourmandizingcats: abbaskiarostami:zarohk: antonwalbrook: and what about it. When you could be watching She-Ra or something actively and openly LGBTQ+ friendly. oh shut the fuck up #can’t believe people in 1956 were watching johnny guitar instead of she-ra#smh im fucking dying what the hell kind of noxious fart gas do u have to have instead of brains to fucking comment something like that im just i dont even know where to begin, between the foolishness of forgetting that queer people predate the she-ra reboot and the blatant disinterest in hearing the experiences of queer people in different contexts and the fact that maybe just maybe we dont exclusively want to watch Certified Gay media and that queer reading is a way of actively engaging in the art u consume and validating urself and etc etc… im dying, what a mook It must be so strange for kids now to wrap their head around how little representation there was back in the day. And what we did get was generally bad - if you were any kind of queer character, you were either murdered or a murderer who deserved to die. No in between. It really did a number on generations of queer people, seeing ourselves presented that way.If you want to talk animated queer characters, up into the Disney Renaissance and beyond, the only queer-coded characters you ever saw were the villains. Hell, in the Beauty and the Beast reboot, they gave us “a confirmed gay character” who was apparently LeFou, Gaston’s side-kick. I say apparently, because have you watched the film? I can only think of one mainstream film I saw from the 80s that had any positive queer representation while studying film at uni and it was tangled up in a savage critique of racism, culturalism and Thatcher’s Britain.Things are better now, yes, but let’s not forget where they started. Let’s not forget how far we’ve come and how far we still need to go. ellen is garbage, but when she came out on her TV show (april 30th, 1997. i was fifteen.) it was national news. for months.a year and a half later, matthew shepard was beaten, tortured and left to die, because he was gay. his death was also national news - but more importantly, his murder is what led to gay bashing being legally declared a hate crime. i was sixteen years old and had been with my then-girlfriend for almost a year. assaulting, raping, and killing us for being queer wouldn’t have been prosecuted as a hate crime. i could go on for so, so long but this is already pushing me close to tears.“you could be watching she-ra” my god. you know, i did watch she-ra when i was a kid.i didn’t see myself in any of them. I am 43 years old. The first time I remember seeing a lesbian couple kiss on television that wasn’t porn or immediately leading into deaths meant to demonstrate that lesbianism would immediately destroy your lives (within the next 90 minutes!) was The Body, a Buffy episode which aired on February 27, 2001. I was 24. My daughter was an infant. I’d never seen anything like it before. Here I was! There! On screen. I identified with dorky, awkward, very gay Tara so much.And then you know what happened just over a year after we finally saw Willow and Tara kiss, having been denied for seasons because the network wouldn’t let them?Whedon fucking killed Tara off in the most ridiculous, pointless way possible, right after Tara and Willow, who had broken up, got back together. My “good, meaningful, actually changed my fucking life” representation still followed the horrible tropes. That’s how hungry we were. That’s how desperate we were. We still pointed back to Willow & Tara as ‘this is the best we’ve gotten,’ even though she literally got shot through the heart, somehow, randomly, with a stray bullet the morning after she and her girlfriend have make-up sex and get back together. Fuck. There’s actually a few,solid essays on why such coding is so important and how hard things were,and still are to this day for queer people desiring any,any level of representation in mediaHeres one on Queer coding and why it’s importantHere’s one on Disney’s ‘cold war’ on queer artists working for them,along with queer subtextand here’s two on queer film theory and how it relates to horror movies,from how they use depictions of queer people to signify evil, and also touches on why a lot of queer people’s favorite genre is horror -- source link
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