The final set design for the Spider-hideout. This set is extra special to me because I got to work c

The final set design for the Spider-hideout. This set is extra special to me because I got to work closely with one of my good friends and Art Director of the film Patrick O’Keefe on this one. This design went through so many iterations and so many individual takes, but it wasn’t until Patrick took a whack at it that we started to find what would become the final version of this set. Patrick is responsible for the overall space and layout and I came in to basically digitally paint and decorate it, and also pepper in those sweet sweet easter eggs with a not-so-subtle hand. The idea here is that this Peter has got it totally figured out and he’s basically the best Spider-Man ever, and also learned to use his celebrity to help fund his endless watch over the city he loves so dearly. We tried to create the perfect work space for the Spider-Man of Miles’ world, who we so affectionately referred to throughout production as the “Full Potential Peter”. Imageworks killed it on this one and the set really looks like my paintings. One idea I wouldn’t let die was the inclusion of the original Spider-mobile. Anyways, I hope you enjoy. -- source link

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