snknews: tdkr-cs91939: This month(November issue) of Pash! features an interview with Kobayashi Yasu

snknews: tdkr-cs91939: This month(November issue) of Pash! features an interview with Kobayashi Yasuko (Screenwriter) Translation of PASH! November 2018 (Scans Above) Interview with Screenwriter Kobayashi YasukoAll translations by @suniuz & @fuku-shuu of @snknews(Please credit if used) “THE STORY FOUNDATION” Episode 38Considering the contents of the original work, episode 38’s story came about very naturally. However, as soon as I thought about including a certain amount of action sequences in the first episode of the season, just to set a basis for the rest, Isayama-sensei suggested, “If you can change things around significantly, that would actually be good.” Isayama-sensei felt that during the original release, readers did not react very positively to thedevelopments. He seemed passionate about modifying the first half of the arc, which was the manga’s 13th to 15th volumes. Hence, the first episode’s presentation was completely produced in accordance with Isayama-sensei’s wishes. The timeline, setting, and contents were all courageously reshaped. Episode 39 Since we changed around the chronology of events, the fight with the Interior Military Police was moved to Trost District. Therefore, when the new Levi Squad chased the horse carriage, the order of who handled the horses during the action sequence, as well as what caused Mikasa to give up the chase, made me quite conflicted. In addition, we originally didn’t know the names of the nobles. Seko Hiroshi, who shared my responsibility of screenwriting, suggested a great amount of ideas, and we decided on the names together with other staff. What was the reasoning behind omitting Levi and Dimo Reeves’ alliance plotline?Kobayashi: Throughout the third season, we omitted the elements pertaining to “revolution” from the original work. Ultimately, the scenario we wanted to showcase was “coup d'état,” which was a point that never changed. Hence, the anime’s storyline skewed towards that direction. The citizens, such as the Reeves family and the journalists, definitely belonged as part of a “revolution” rather than a “coup d'état.” It was unfortunate that we had to remove their screentime. In order for the plot to become more comprehensible, we only retained the most essential of the developments. 繼續閱讀 -- source link

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