classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of

classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of
classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of

classicfilmblr:“The energy of [Naples’] documentary passages, of the Neopolitan music and rhythms of speech all counterpoint the inertia of the relationship between the film’s protagonists; even the statues in the archaeological museum are given more life by the circling camera than Bergman[’s character], immobilised and clearly dumbfounded by what they make her feel.” — Liz Heron, Journey to ItalyJOURNEY TO ITALY (1954) dir. Roberto Rossellini -- source link


#italy#naples#1950s#roberto rossellini#ingrid bergman
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