rudelyfe:eccentra:rudelyfe:iammyfather:blackgirlshit:rudelyfe:desiremyblack:kacysimply
rudelyfe: eccentra: rudelyfe: iammyfather: blackgirlshit: rudelyfe: desiremyblack: kacysimplylove: chrissongzzz: No hate, it’s only facts.✊ They are trying with Afros.Unfortunately, I’ve seen it (via TumbleOn) Serial killers tend to wear the skin and hair of their victims. Next its making their noses wider and flatter Wasn’t the bustle invented by Victorians to keep the “Gentlemen” from chasing African Women. Correct Wow If I’m not mistaken the figure on the left was a plaster of her actual body as well . Of course the info is a bit “sweet” (white ) washed . Saartjie Baartman (more commonly known as Sarah or Sara Baartman) was born in the 1770s in the Gamtoos Valley of South Africa in the Eastern Cape province. In 1810, she went to England with her employer, a free black man (a Cape designation for someone of slave descent) called Hendrik Cesars, and William Dunlop, a Scottish doctor who worked at the Cape slave lodge.[1] They sought to show her for money on the London stage. Sara Baartman spent four years on stage in England and Ireland. Early on, her treatment on the Picadilly stage caught the attention of British abolitionists, who argued that her performance was indecent and that she was being forced to perform against her will. Ultimately, the court ruled in favor of her exhibition after Dunlop produced a contract made between himself and Baartman. It is doubtful that this contract was valid: it was probably produced for the purposes of the trial.[1][4] Cesars left the show and Dunlop continued to display Baartman in country fairs. Baartman also moved to Manchester where she was baptized as Sarah Bartmann. In 1814, after Dunlop’s death, a man called Henry Taylor brought Baartman to Paris. He sold her to an animal trainer, S. Reaux, who made her amuse onlookers who frequented the Palais-Royal. Georges Cuvier, founder and professor of comparative anatomy at the Museum of Natural History examined Baartman as he searched for proof of a so-called missing link between animals and human beings. Baartman’s body became the foundation for racist science. Baartman lived in poverty, and died in Paris of an undetermined inflammatory disease in December 1815. After her death, Cuvier dissected her body, and displayed her remains. For more than a century and a half, visitors to the Museum of Man in Paris could view her brain, skeleton and genitalia as well as a plaster cast of her body. Her remains were returned to South Africa in 2002 and she was buried in the Eastern Cape on South Africa’s Women’s Day.[1][5] South Africa had to fight to get her body back for years until they finally got it back in 2002. Let that sink. Her DEAD BODY WAS on display from the 1800s to 2002 . ( skeleton , vagina , brain and other organs ) https://en.m.wikipedia.org/wiki/Saartjie_Baartman Movie link : https://m.youtube.com/watch?v=gxsG8SIm-ss Today in white history . -- source link