eastiseverywhere:Thomas Hickey Portrait of Three Princesses from MysoreIndia (c. 1805)[Source] The

eastiseverywhere: Thomas Hickey Portrait of Three Princesses from MysoreIndia (c. 1805)[Source] There’s some really interesting background to this painting - e.g. it may be celebrating the arrival of the smallpox vaccine in India! Sotheby’s says: This important portrait showing three Royal women from the Court of Mysore in Southern India was painted by Thomas Hickey in circa. 1805. Not only is it one of the finest portraits of an Indian subject by a Western artist during the period of British rule, but it also shows a remarkable understanding of the sitters and of classical Indian symbolism. Hickey was unusual amongst the British artists who went to India to find work in that he can almost be said to have adopted India as his own country… Most of Hickey’s final years in India were spent in Madras and the first important work which he did there was to paint a series of portraits of Indian princes and courtiers, including Krishnaraja Wadiyar III, the young Raja of Mysore and the wiley Purniya, his Brahmin chief minister. In 1804 Hickey submitted a memorandum suggesting that he should be made ‘historical portrait painter to the Hon. East India Company’, apparently in response to a wish by the company that information he provided by the various Presidencies to assist with ‘a general History of the British affairs in the East Indies’. It is in this context that Hickey painted this masterpiece. When it was first acquired in 1930 the sitters were described as ‘India Princesses’ and the picture was said to have been painted by Zoffany, undoubtedly the most celebrated of the Western artists who settled in India to ply their trade. In her important book on India and British Portraiture published in 1979, Dr Mildred Archer correctly reattributed the portrait to Hickey and suggested that the rich jewellery and the composition of this intimate portrait meant that they were ‘either temple dancing-girls or experienced courtesans’… Dr Chancellor pointed out that the assumption that three such ladies with such sumptuous jewellery and such apparent self confidence had to be courtesans was a common, conventional European assessment…. The heavy gold sleeve bangles were, as Dr Chancellor points out, one of the defining emblems for women of the Arasu royal clan, and the splendid head-dresses with their distinctive triangular patta on the foreheads established the women as pattaranis or queens who have been crowned as wives of a Raja.  The woman on the right of the group is shown with prominent crescent moons on one side of the central band of her head-dress, a reference to the mythical origins of the Mysore Wadiyars (the ancient Hindu dynasty recently restored to power by the British). Dr Chancellor concludes that the portrait probably includes two Mysorean queens, the lady on the left being Rani Devajammani, the Raja’s senior wife, and the lady on the right Devajammani of Lakshmivilas Sannidhana, the junior queen who was close in age to the young Raja. The more relaxed lady in the centre resembles Hickey’s portrait of the young Raja mentioned earlier and is probably one of the Raja’s royal sisters. The existence of such a rare portrait is explained by the arrival in India at the beginning of the century of the first vaccines against smallpox. Lord William Bentinck, governor of Madras, was anxious to promote its benefits and Mark Wilkes, Resident at the Court of Mysore, was instructed to do all he could to persuade people of its benefits. He was supported by the Raja’s minister, Purnaiya (whom Hickey had painted) and most importantly, by Rami Lakshmi Ammani, queen of the old Wadiyar ruler of Mysore and grandmother of the Raja’s senior queen. As her husband had died of smallpox she was particularly keen to support vaccination. All this coincided with the betrothal of the young Devajammani, a girl without the dreaded disease, to the young Raja. Her willingness to have the new vaccine was announced in Madras in July 1806. In Hickey’s portrait not only is she shown in a white sari with a beautiful unblemished complexion, but she is holding her sari to present her left arm and the sleeve of her bodice indication where the vaccine would be performed, something which a European doctor could do without compromising the modesty of an Indian woman. -- source link

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