There was no mirror ball at Studio 54, but set pieces like the iconic “Moon and Spoon” d

There was no mirror ball at Studio 54, but set pieces like the iconic “Moon and Spoon” designed by Aerographics (Richie Williamson and Dean Janoff), as well as kinetic lighting by Jules Fisher and Paul Marantz, set it apart from other discotheques. Because it was located in a renovated theater building, changes of scenery could be frequent, seamless, and magical, with set pieces flying in and out above the stage-turned-dancefloor. Owners Ian Schrager and Steve Rubel also hired Experience Space—a team of interior designers known for their work in boutiques and restaurants—to elevate the entryway, bar area, and dancefloor surroundings. A balcony and other seating areas made Studio 54 a place to see and be seen. The combination of high-end design, original theater architecture, and dynamic sets, lighting, and sound created an exhilarating environment described as “lightning in a bottle.”Posted by Forrest PelsuePhotos (1-6): Adam Scull (American). Michael Overington Renovation, 1981. ⇨ Steve Rubell and Tom Snyder, September 21, 1978. ⇨ Entrance Hall at Studio 54, 1978. ⇨ Bar at Studio 54, 1977. ⇨ Dance Floor at Studio 54, 1977.  ⇨ Dance Floor at Studio 54, 1977. Photos by Adam Scull/PHOTOlink.net. © Adam Scull; and  ⇨ Last Photo: Dustin Pittman (American). New Year’s Eve, 1979. Courtesy of the artist. © Dustin Pittman -- source link

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