what-the-dickens:marzipanandminutiae: crossedbeams:freshprincemomma:sassy-hook:pleasant-trees:
what-the-dickens:marzipanandminutiae: crossedbeams: freshprincemomma: sassy-hook: pleasant-trees: aprilsvigil: manticoreimaginary: Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels. But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her. I can’t stop watching this. #I watched this for too long to not reblog Whoa. Okay so this is true, but a tiny part of a wider truth. Ginger Rogers was a FUCKING BADASS. Ignore for a sec the rampant sexism in Hollywood (they once bleached her hair blonde in wardrobe without telling her beforehand), the fact that she fought her whole career against typecasting and stereotyping from fellow actors (Katharine Hepburn famously said of the Astaire/Rogers partnership “she gave him sex. He gave her class” ) for starting out in musicals, and went on to have a career lasting over fifty years, winning a Best Actress Oscar (Kitty Foyle, 1940). But… JUST focusing on the Astaire movies… Not only did she dance “backwards” in high heels, the dances were a task in themselves. Astaire was an absolute perfectionist and choreographed for himself, so as a younger, less experienced dancer Rogers came in at a disadvantage and worked her ass off to match him. Then there’s the filming complications… these numbers were filmed in ONE TAKE. So one thing goes wrong and you have to start over. Maybe you make a mistake or maybe your dress flies up because… Ginger had to contend with her wardrobe. Dancing in heels is the norm at this time, but dancing in a dress designed for cinema cameras… not so much. They were heavy, embellished, uncomfortable, restrictive and cumbersome and essentially a third member of the dance, strapped to the body of one partner.Not only did she have to dance and look good, she had to control the dress too! Take this routine from Swing Time… (it gets going proper at 1:30ish) This dress has weights, YES WEIGHTS, sewn in to the hem to make it fly out and create a visual effect. So it’s heavy, it hurts if it hits you, and your partner gets mad if it hits him. So you gotta control it. Well it turns out all these factors on this set, this particular day aren’t going so well. So you’re doing take after take, here’s no labour laws, so at 4am after 18 hours you’re still going, even though part of the routine requires you to spin up those curved stairs with no rail at high speed…. Okay so now back to those high heels. In Ginger’s autobiography she vividly remembers this night as the night she bled though her shoes. They did so many takes, her feet blistered, bled, and the white satin high heels she was wearing finished he night pink because they were literally full of blood. And still they keep shooting. She keeps dancing. The take they use in the film is the last. Early hours. Bloody feet. And she spins, acts and bosses out until that last second. Because she was that professional, talented and bloody minded. This is the last set of spins… So I say once again. Ginger Rogers was a badass. She did everything Fred Astaire did backwards, in high heels, wearing a 20 pound dress, exhausted, injured and standing in a pool of her own blood. And watching her perform, you would never know. okay yes she was a badass who worked under borderline abusive conditions. but we clearly need to have the “you didn’t do your research about her costumes” conversation again these are dress weights: often used by ordinary people to keep skirts from flying up in high wind. and, yes, to give the desired floating effect in some dance costumes the ones in the Never Gonna Dance dress were apparently about half the size of an old half-dollar coin and made of clear plastic. they would absolutely not have made the dress weigh twenty pounds, especially inasmuch as it’s made of two layers of incredibly light silk georgette (generally a bad example for talking about restrictive, heavily embellished Old Hollywood dance costumes.) actually, looking up images of her costumes in general, it seems like most of them were fairly light and easy to move in. which makes sense, because like. the costume designers weren’t stupid. everyone knew she’d have to dance in whatever she was wearing, and studios may have treated actors like crap back then, but they still needed to get a good performance out of her. that “third person in the dance” idea comes from Ginger Rogers’ recollection of another dress entirely, from Follow the Fleet. that dress was beaded, heavy, difficult to work with, painful when it whacked either dancer on turns- and designed by Rogers herself. (Again, this was her idea. She seems to have regretted the design after the fact, but no director made her wear it.) also, when her feet started bleeding during Never Gonna Dance, the choreographer told her to go home and that they could resume filming the next day. she insisted on continuing for several more hours. in some situations she was the victim of appalling treatment, but in this case, she was a freaking Dance Terminator who was GOING to get that perfect take no matter what I agree with your points about her badassery, but could you please fact-check what you’re saying? I thought to question it because I know how dress weights actually work, but other people would have no reason to doubt the information. and then they’d repeat it, and the chain of urban legends would continue source 1 source 2 source 3 Ive seen this before and rhe thing about the weights always annoyed me so thank you -- source link