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Nodir Shoabdurakhimov (Uzbek, *1962)
Nodir Shoabdurakhimov (Uzbek, *1962)
Nodir Shoabdurakhimov (Uzbek, *1962)
Nodir Shoabdurakhimov (Uzbek, *1962)
jellobiafrasays: back cover, tashkent (1981)
jellobiafrasays: back cover, tashkent (1981)
ephemeral-elegance: Bird Embroidered Uzbek Blouse, ca. late 19th centuryServed as the inspiration fo
ephemeral-elegance: Bird Embroidered Uzbek Blouse, ca. late 19th centuryServed as the inspiration fo
 "The onlookers seen them as beautiful creatures, young, pure children of nature, brin
 "The onlookers seen them as beautiful creatures, young, pure children of nature, brin
uzbek hat, silk embroidery
uzbek hat, silk embroidery
xq28-xq28: chestnbreast: Anton Lapidus * 1993 | Uzbek dancer and influencer | See this Instagram pho
xq28-xq28: chestnbreast: Anton Lapidus * 1993 | Uzbek dancer and influencer | See this Instagram pho
fragilitie: tweed-eyes: ceremonial hanging (suzani) nationality  Uzbek creation date 
fragilitie: tweed-eyes: ceremonial hanging (suzani) nationality  Uzbek creation date 
The magnificent Royal Suzani tapestry, size is 20’ - 14’ (6х4,12 m), embroideres
The magnificent Royal Suzani tapestry, size is 20’ - 14’ (6х4,12 m), embroideres
In-door and out-door costumes of Sart (uzbek) women. Turkestan. Central Asia. 1880s.  F.Orden.
In-door and out-door costumes of Sart (uzbek) women. Turkestan. Central Asia. 1880s.  F.Orden.
Amazing photo, large Suzani silk embroidered tapestry and Ikat kaftan. Designer Dildora Kasimova.
Amazing photo, large Suzani silk embroidered tapestry and Ikat kaftan. Designer Dildora Kasimova.
Shah-i-Zinda (Uzbek: Shohizinda; Persian: شاه زنده‎‎, meaning “The Living King&
Shah-i-Zinda (Uzbek: Shohizinda; Persian: شاه زنده‎‎, meaning “The Living King&
Detail of an antique Suzani, uzbek silk embroidery on silk foundation, late 19th c. Central Asia. Av
Detail of an antique Suzani, uzbek silk embroidery on silk foundation, late 19th c. Central Asia. Av
ektenia:Contemporary Uzbek fashion: Vairabonu Sadirokhunova photographed by Hassan Kurbanbaev and st
ektenia:Contemporary Uzbek fashion: Vairabonu Sadirokhunova photographed by Hassan Kurbanbaev and st
jellobiafrasays: back cover, tashkent (1981)
jellobiafrasays: back cover, tashkent (1981)
ektenia:Contemporary Uzbek fashion: Vairabonu Sadirokhunova photographed by Hassan Kurbanbaev and st
ektenia:Contemporary Uzbek fashion: Vairabonu Sadirokhunova photographed by Hassan Kurbanbaev and st
Antique traditional tribal textiles, uzbek Suzani, 1920s, Central Asia. Silk hand embroidery on silk
Antique traditional tribal textiles, uzbek Suzani, 1920s, Central Asia. Silk hand embroidery on silk
Inspired IKAT, uzbek traditional hand woven silk textiles, natural dyes. The russian brand &ldqu
Inspired IKAT, uzbek traditional hand woven silk textiles, natural dyes. The russian brand &ldqu
The old master with his work, traditional uzbek block printed textiles., Central Asia. #uzbek #bloc
The old master with his work, traditional uzbek block printed textiles., Central Asia. #uzbek #bloc
Antique collection of Suzani textiles, traditional decorative uzbek tapestries, early 20th century,
Antique collection of Suzani textiles, traditional decorative uzbek tapestries, early 20th century,
Antique ethnic textiles - Suzani, traditional decorative uzbek wall hanging. Silk embroidery on silk
Antique ethnic textiles - Suzani, traditional decorative uzbek wall hanging. Silk embroidery on silk
Antique Suzani, uzbek traditional decorative wall hanging. Hand made silk embroidery on yellow cotto
Antique Suzani, uzbek traditional decorative wall hanging. Hand made silk embroidery on yellow cotto
Antique Uzbek Ikat textiles, 19th c. The David Collection, The Exhibition: Ikat – Flaming Text
Antique Uzbek Ikat textiles, 19th c. The David Collection, The Exhibition: Ikat – Flaming Text
FEMALE TYPES OF SAMARKAND, the beginning of XX century. From the collection of Boris Golender. Sourc
FEMALE TYPES OF SAMARKAND, the beginning of XX century. From the collection of Boris Golender. Sourc
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