Typography Class
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During a Ken Barber workshop at the Cooper Union, Spencer drew this logotype for his classmates that
During a Ken Barber workshop at the Cooper Union, Spencer drew this logotype for his classmates that
Christoph Ehbets, record cover for Label Eterna: Beethoven, Missa Solemnis, 1966. Bach / Matthäuspas
Christoph Ehbets, record cover for Label Eterna: Beethoven, Missa Solemnis, 1966. Bach / Matthäuspas
violentwavesofemotion:Sappho, tr. by Josephine Balmer, from “Poems and Fragments,” originally publis
violentwavesofemotion:Sappho, tr. by Josephine Balmer, from “Poems and Fragments,” originally publis
ancient-rome-au:petition to replace the Lorem Ipsum with the Catilinarian Orations as the default sa
ancient-rome-au:petition to replace the Lorem Ipsum with the Catilinarian Orations as the default sa
Jan Tschichold, design for Penguin Scores, 1949. Typography set in Garamond, background patterns via
Jan Tschichold, design for Penguin Scores, 1949. Typography set in Garamond, background patterns via
salemwitchtrials:‘Herakles,’ Euripides (translated by Anne Carson)
salemwitchtrials:‘Herakles,’ Euripides (translated by Anne Carson)
Playbill for the world premiere of Turandot, La Scala Milan, 1926. Conducted by Arturo Toscanini. Ja
Playbill for the world premiere of Turandot, La Scala Milan, 1926. Conducted by Arturo Toscanini. Ja
chairsart:so I had to do a typography piece for my photoshop class, naturally i chose a Hannibal the
chairsart:so I had to do a typography piece for my photoshop class, naturally i chose a Hannibal the
salemwitchtrials:‘Agamemnon,’ Aeschylus (translated by Anne Carson)
salemwitchtrials:‘Agamemnon,’ Aeschylus (translated by Anne Carson)
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest film
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest film
pansoph:Euripides’ Hecuba c. 424 BC
pansoph:Euripides’ Hecuba c. 424 BC
jojordan:extra credit pandemic poster I made for my typography class. | @jojordan-art
jojordan:extra credit pandemic poster I made for my typography class. | @jojordan-art
violentwavesofemotion:Sappho, tr. by Josephine Balmer, from “Poems and Fragments,” c. 1984
violentwavesofemotion:Sappho, tr. by Josephine Balmer, from “Poems and Fragments,” c. 1984
pansoph:Euripides’ Hecuba c. 424 BC
pansoph:Euripides’ Hecuba c. 424 BC
1984. A classic machine-vision scene from The TerminatorIf only real life dialog choices were this e
1984. A classic machine-vision scene from The TerminatorIf only real life dialog choices were this e
Minimalist everything!
Minimalist everything!
“And if you took to me like a gull takes to the wind, well I’d have jumped from my tree and I’d have
“And if you took to me like a gull takes to the wind, well I’d have jumped from my tree and I’d have
jojordan:extra credit pandemic poster I made for my typography class. | @jojordan-art
jojordan:extra credit pandemic poster I made for my typography class. | @jojordan-art
jojordan:extra credit pandemic poster I made for my typography class. | @jojordan-art
jojordan:extra credit pandemic poster I made for my typography class. | @jojordan-art
Working with more letters for my typography class. I had to take a photo from a place in the streets
Working with more letters for my typography class. I had to take a photo from a place in the streets
Circo’s Pastry Shop(in Bushwick on Knickerbocker Street at Hart Street) NB: The Project Neon g
Circo’s Pastry Shop(in Bushwick on Knickerbocker Street at Hart Street) NB: The Project Neon g
Ivan Chermayeff, album artwork, Koussevitsky: Eroica, 1959. RCA Camden
Ivan Chermayeff, album artwork, Koussevitsky: Eroica, 1959. RCA Camden
When Fun Meets FunctionPaul Rand created a design classic with the “Eye, Bee, M” poster.
When Fun Meets FunctionPaul Rand created a design classic with the “Eye, Bee, M” poster.
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest
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