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Thomas Struth (third from right) with Renaissance Society staff during the installation of his 1990
nevver:Looking at art, Thomas Struth
atavus:Thomas Struth - Pergamon Museum, Berlin, 2001
theimagerie:Pantheon, Rome, Thomas Struth, 1990.Chromogenic print179,2 x 233,7 cm
Musée d’Orsay II, Paris (1989), Thomas Struth
atavus:Thomas Struth - Pergamon Museum, Berlin, 2001
Join us this Thursday for the opening of our newest special exhibition This Place.Organized by photo
Opening one week from today—This Place will explore the complexity of Israel and the West Bank, as p
Twelve international photographers participated in This Place, a monumental art project documenting
Join us for a photographic journey through Israel and the West Bank at the Brooklyn Museum with the
“In the end, I strive to make pictures that are arresting, that you have to keep looking at.” —Thoma
thesemaginotlines:Thomas Struth: Art Restorers at San Lorenzo Maggiore, Naples, Italy.
atavus:Thomas Struth - Pergamon Museum, Berlin, 2001
thomas struth
Thomas Struth, Art Institute Of Chicago II, Chicago, 1990
Musée d’Orsay II, Paris (1989), Thomas Struth
Thomas Struth - Pergamon Museum, Berlin, 2001
blue-voids: Thomas Struth - National Gallery I, London 1989
blue-voids: Thomas Struth - Galleria dell’Accademia I, Venice, 1992
artpictural:Thomas Struth the Art Restorers at San Lorenzo Maggiore, Naples, Italy.
artpictural:Thomas Struth the Art Restorers at San Lorenzo Maggiore, Naples, Italy.
We’re celebrating World Photography Day with Thomas Struth’s “Pergamon Museum I, Berlin,” on view in
artpictural:Thomas Struth the Art Restorers at San Lorenzo Maggiore, Naples, Italy.
Paradise / Thomas Struth
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