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Natalie Wood / production still from Mervyn LeRoy’s Gypsy (1962)
Dennis Hopper, Peter Fonda, Jack Nicholson / production still from Mr. Hopper’s Easy Rider (1969)
wehadfacesthen:James Dean and Sal Mineo in a production still from Rebel Without A Cause (Nicholas
Audrey Hepburn, Peter O'Toole / production still from William Wyler’s How to Steal a Million (1966)
Natalie Wood / production still from Mervyn LeRoy’s Gypsy (1962)
lilliburlero:shredsandpatches:fiftysevenacademics:buckbeakbabie:Production still from the RSC’s King
Jennie Linden / production still from Gordon Flemyng’s Dr. Who and the Daleks (1965)
idyllicfairytale: Production stills of ‘Pride And Prejudice’ (2005).
mykillyvalentine: Valerie Hobson & Boris Karloff in a production still for Bride of Frankenstein
Buster Keaton, Thelma Todd; production still from Edward Sedgwick’s Speak Easily (1932)
shakespearenews:A Midsummer Night’s Dream Bebe Neuwirth, center, as Titania in this Classic Stage Co
Angelique Pettyjohn, William Shatner / production still from Star Trek, season 2, episode 16, “The G
20th-century-man: Natalie Wood / production still from Paul Mazursky’s Bob & Carol & Ted &am
humanoidhistory:Harry Dean Stanton in a production still for Alien (1979)
Marilyn Monroe; production still from Billy Wilder’s The Seven Year Itch (1955 photo by George
Myrna Loy / production still from Sam Wood’s The Barbarian [aka A Night in Cairo] (1933)
Jill St. John / production still from Ron Winston’s Banning (1967)
From “Autumn Moon” (which is still listed as “in production” on iMDb). Happy
20th-century-man: Brigitte Bardot; production still from Roger Vadim’s Les bijoutiers du claire de l
20th-century-man:Ann-Margret / production still from Norman Jewison’s The Cincinnati Kid (1965)
20th-century-man: Sean Connery, Claudine Auger / production still from Terence Young’s Thunderball (
Lee Marvin / production still from John Boorman’s Point Blank (1967)
Angie Dickinson, Lee Marvin; production still from John Boorman’s Point Blank (1967)
Angie Dickinson; production still from John Boorman’s Point Blank (1967)
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