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Romaine Brooks, Le Trajet, c. 1911.
Edvard Munch, Towards the Forest II, 1915.
Frederic Edwin Church, The Icebergs, 1861.
Gustav Klimt, Poppy Field, 1907.
Tom Roberts, Shearing the Rams, 1890.
Ilya Repin, What Freedom!, 1903.
Max Ernst, A Week of Kindness, 1934.
Georges Rouault, Two Prostitutes, 1906.
Peter Paul Rubens, <i>The Fall of the Damned</i>, 1620.
Gerrit van Honthorst, The Mocking of Christ, c. 1617-20 One of the more emotionally powerful pi
Francis Picabia, Spanish Night, 1922.
Nicolas Réniger, Saint Sebastian tended by the Holy Irene and her Servant, 1626-30.
Chiam Soutine, Carcass of Beef, c. 1925.
Jean-Antoine Gros, Bonaparte Visiting the Plague House at Jaffa, 1804.
Anders Zorn, Sunbathing Girl, 1902.
Peter Paul Rubens, Helene Fourment in a Fur Robe, c. 1631.
Pieter de Hooch, The Council Chamber of the Burgermasters, c. 1655.
Mary Cassatt, After the Bullfight, 1873.
Franz Marc, Little Yellow Horses, 1912.
Ejnar Nielsen, And In His Eyes, I Saw Death, 1897.
Georges de la Tour, The Hurdy-Gurdy Player, 1630.
Félix González-Torres, Untitled (Perfect Lovers), 1991.
Mark Rothko, No. 9, 1954.
Pieter de Hooch, The Courtyard of a House in Delft, 1658.
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