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nitratediva:From Les Quatre Cents Farces du Diable or The Merry Frolics of Satan by Georges Méliès,
nitratediva:Carole Lombard in Nothing Sacred (1937).
nitratediva:Marlene Dietrich in Shanghai Express (1932).
nitratediva:Anita Page in Our Dancing Daughters (1928).
nitratediva:Jeanette MacDonald explains why she’s quite an eligible bachelorette in The Love Parade
nitratediva:Stylish parisiennes in The Love Parade (1929).
nitratediva:Alice Guy Blaché, the world’s first woman filmmaker.
nitratediva:Anita Louise in Max Reinhardt and William Dieterle’s A Midsummer Night’s Dream (1935).
nitratediva:From “The X-Rays” (1897), a trick film in which a flirting couple are suddenly shown as
nitratediva:Gene Tierney in a costume test for Thunderbirds (1942).
nitratediva:Marlene Dietrich and company in Blonde Venus (1932).
nitratediva:Rita Hayworth in Gilda (1946).
nitratediva:Lizabeth Scott in Dead Reckoning (1947).
nitratediva: Dita Parlo in Jean Vigo’s L’Atalante (1934).
nitratediva:Lauren Bacall in The Big Sleep (1946).
nitratediva:Ginger Rogers in Swing Time (1936).
nitratediva:I like to think that this is what my lingerie does when I’m not looking. From “Billboard
nitratediva:From The Raven (1963).
nitratediva:Peter O’Toole makes quite possibly the best entrance ever—riding in on a camel, leaping
danefonda:bidonica:Today’s installment of why“but it has always been like this!” is a bullshit argu
nitratediva:Peggy Cummins in Gun Crazy (1949).
nitratediva:Greta Garbo in The Mysterious Lady (1928).
nitratediva:From The Cabinet of Doctor Caligari (1920).
nitratediva:Theda Bara tantalizes Edward José in A Fool There Was (1915).
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