New Objectivity

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Dodo (Dörte Clara Wolff), Fireworks, 1929. Germany

George Grosz (1893-1959), ‘The Pit’ (1946), ’'George Grosz’’ by John I

George Grosz, Suicide, 1916.

Carl Grossberg, The Yellow Boiler (Der Gelbe Kessel), 1933. Oil on wood. Von der Heydt-Museum Wupper

Self-Portrait with Champagne Glass, Max Beckmann, 1919

Felix Nussbaum (1904-1944) — Einsamkeit (Lonliness)  [oil, canvas, 1942]

Franz Sedlacek aka Franz August Moritz George Sedlacek (Austrian, 1891-1945, b. Breslau, Germany) -

Flower Piece, Franz Sedlacek, 1922

Zeche Zollverein,Essen, GermanyMay 2018

It’s an early 20th century version of Realism. In the 1920s, some artists continued to work in

Paul Citron, Metropolis, 1923. Photo collage. France. Source

Glasverzerrung I = Glass Distortion IWilly Zielke (German, born Poland; 1902–1989)Original photograp

rikla-kliakil:wetwareproblem:geekandmisandry:jamiemortara:reaaaaall. so much respect bb.Wow, this is

Rudolf Schlichter: Portrait of Bertold Brecht 1928Lenbachhaus Munich

August Sander: High School Student (Gymnasiast) 1926Gelatin silver print

Osram-Glühlampen = Osram LightbulbsWilly Zielke (German, born Poland; 1902–1989)Original photograph:

Paul Kelpe (1902-1985) — Man and Machinery  (oil, canvas, 1934)

Otto Dix

Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x 72 1/8 in./

Heinrich Davringhausen (German; 1894–1970)Porträt Mann in Frack = Portrait of a Man in Tails Oil on

Nocturnal Homecoming (1927). By Austrian artist, Franz Sedlacek (1891-1945).

Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x

etund: A dynamic duo from the New Objectivity party at the Bauhaus, 1925.

Wilhelm Lachnit - Arbeiter mit Maschine (Worker with Machine), 1924-28. Oil on wood, 19 11/16 x 20 &

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