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“Thirty-two Aspects of Physiognomy” by Nishimura Shigenobu (1711-1785)
“Yoshiwara Parodies of Kabuki” by Kitagawa Utamaro, 1798
“Earth Sign of Muddy water”. Ukiyo-e woodblock print, early 1800’s, Japan, by artist Uta
Nakumura Tomisaburo and Iwai Kumesaburo in a Shibaraku Scene by Utagawa Toyokuni (Toyokuni I), c. 18
“Hanazono of Nakaori-ya” by Yanagawa Shigenobu, c. 1825
Group of maiko by Wada Sanzo, 1955
Iwai Hanshiro IV by Katsukawa Shunsho,1782-88
Two Traditional Dances by Hasegawa Sadanobu III, 1959
“Flame” by Uemura Shoen, 1918
“The Oiran Nishikigi of Yotsumeya with her Kamuro” by Isoda Koroyusai, c. 1776
Japanese women’s dress from the Heian Period (794 to 1185)
“Beauty” by Kaigetsudo Dohan, 1711-16
“Bunraku Puppet” by Hasegawa Sadanobu III, 1950s
“Amayo-no-Miyamōde” by Suzuki Harunobu, 1770
Two paintings from the series “Faithful Genji” by Utagawa Kunisada, c. 1850s
Hana Moyō (Patterns for Flowers), by Kobayashi Kiyochika is a series of triptychs published in 1896,
Japanese Oiran Ningyo doll
Maple Viewers by Kano Hideyori,Muromachi to Azuchi-Momoyama period, 16th century
“Morita za Tomomatsu norikomi zu” by Kunichika Toyohara, 1865
Bando Hikosaburo III as Kudo Saemon Suketsune by Utagawa Toyokuni (Toyokuni I), 1807
Japanese woman by Chinese photographer Lai Afong (c.1839 - 1890)
Tale of Genji illustrated by Nakazawa Hiromitsu, 1912
Three paintings, part of a painted calendar, by Toyohara Chikanobu
Oiran by Katsukawa Shunsho, 1771
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