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Portrait of Giulio Clovio, El Greco, ca. 1570
Portrait of Giulio Clovio, El Greco, ca. 1570
The People’s Census at Bethlehem, Pieter Bruegel the Elder, 1566
The People’s Census at Bethlehem, Pieter Bruegel the Elder, 1566
Pièta (Lamentation), Bronzino, ca. 1528-30
Pièta (Lamentation), Bronzino, ca. 1528-30
Cliff on a SeashoreHendrick Goltzius (Dutch; 1558–1617)ca. 1597–98Woodcut, line block in black on bl
Cliff on a SeashoreHendrick Goltzius (Dutch; 1558–1617)ca. 1597–98Woodcut, line block in black on bl
Agnolo Bronzino, Deposition of Christ (detail), 1540-1545
Agnolo Bronzino, Deposition of Christ (detail), 1540-1545
didoofcarthage:Proserpine Changing Aesculapius into an Owl by Enea Vico after Parmigianino Italian (
didoofcarthage:Proserpine Changing Aesculapius into an Owl by Enea Vico after Parmigianino Italian (
This uncommonly modern caricature is a piece by Bartolomeo Passarotti, an Italian mannerist who rais
This uncommonly modern caricature is a piece by Bartolomeo Passarotti, an Italian mannerist who rais
An Assembly of the Gods, with Jupiter Embracing Minerva, Venus Confronting Diana Observed by Hercule
An Assembly of the Gods, with Jupiter Embracing Minerva, Venus Confronting Diana Observed by Hercule
John the Baptist, Agnolo Bronzino, 1553
John the Baptist, Agnolo Bronzino, 1553
Hercules Shooting His Bow by Luca Cambiaso Italian, 1544-1550grey-brown ink on brown paperMuseo del
Hercules Shooting His Bow by Luca Cambiaso Italian, 1544-1550grey-brown ink on brown paperMuseo del
Jacopo Robusti, called Tintoretto, Daphne chased by Apollo and Transformed into a Laurel tree, after
Jacopo Robusti, called Tintoretto, Daphne chased by Apollo and Transformed into a Laurel tree, after
elizamaru:Aziraphale and Crowley in the style of the Late Renaissance Mannerist Agnolo Bronzino. Thi
elizamaru:Aziraphale and Crowley in the style of the Late Renaissance Mannerist Agnolo Bronzino. Thi
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
elizamaru:Aziraphale and Crowley in the style of the Late Renaissance Mannerist Agnolo Bronzino. Thi
elizamaru:Aziraphale and Crowley in the style of the Late Renaissance Mannerist Agnolo Bronzino. Thi
A Winged Genius by Antonio Maria Zanetti I, after Parmigianino Italian, 1722chiaroscuro woodcut prin
A Winged Genius by Antonio Maria Zanetti I, after Parmigianino Italian, 1722chiaroscuro woodcut prin
The Four Elements by a follower of Bartholomeus Sprangeroil on panelprivate collection
The Four Elements by a follower of Bartholomeus Sprangeroil on panelprivate collection
Self-Portrait with a Glass of Wine, Hans von Aachen (1552-1615)
Self-Portrait with a Glass of Wine, Hans von Aachen (1552-1615)
The Judgement of ParisHans von Aachen (German; 1552–1615)1590Oil on copperBirmingham Museum of Art,
The Judgement of ParisHans von Aachen (German; 1552–1615)1590Oil on copperBirmingham Museum of Art,
Agnolo Bronzino, Descent of Christ Into Limbo (detail), 1552
Agnolo Bronzino, Descent of Christ Into Limbo (detail), 1552
Portrait of a ManFrancesco Salviati (Italian; 1510–1563)ca. 1544–48Oil on panelJ. Paul Getty Museum,
Portrait of a ManFrancesco Salviati (Italian; 1510–1563)ca. 1544–48Oil on panelJ. Paul Getty Museum,
cma-modern-european-art: Circular Plaquette with Frieze of Mannerist Figures, c. 1900, Cleveland Mus
cma-modern-european-art: Circular Plaquette with Frieze of Mannerist Figures, c. 1900, Cleveland Mus
Mountainous Landscape in Bohemia with a View of Prague Pieter Stevens (Flemish; ca. 1567–after 1624)
Mountainous Landscape in Bohemia with a View of Prague Pieter Stevens (Flemish; ca. 1567–after 1624)
Giulio Romano (Italian; ca. 1499–1546), attributed toCeres, also called “Abundance”Oil o
Giulio Romano (Italian; ca. 1499–1546), attributed toCeres, also called “Abundance”Oil o
De opstanding = The ResurrectionLucas van Leyden (Flemish; ca. 1494–1533)ca. 1529–33Black chalk and
De opstanding = The ResurrectionLucas van Leyden (Flemish; ca. 1494–1533)ca. 1529–33Black chalk and
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