Liv Ingmar

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timotaychalamet:Liv & Ingmar (2012) dir. Dheeraj Akolkar

glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)

missgilda:Liv Ullmann and Bibi Andersson in Ingmar Bergman’s Persona, 1966

andreii-tarkovsky:Ingmar Bergman & Liv Ullmann during the filming of Autumn Sonata. 

glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)

My words mean nothing to you. People like you can’t be reached. I wonder whether your madness isn’t

Bibi Anderson & Liv Ullmann in “Persona” directed by Ingmar Bergman, 1966

HOSTSONATEN

Original Poster

The demons are innumerable, appear at the most inconvenient times, and create panic and terror. But

“Today I feel that in Persona – and later in Cries and Whispers – I had gone as far as I could

“The first time I met Ingmar as shy as I was and I as afraid as I was I just also felt this familiar

Liv Ullmann on her character (Anna) / En Passion, Ingmar Bergman.

Liv Ullmann in The Passion of Anna, dir. Ingmar Bergman.

anamorphosis-and-isolate:― Liv & Ingmar (2012)“…and that’s a good lesson to learn in life. Let g

gnosideicarpocraziani:Liv Ullmann. Persona (1966, Ingmar Bergman).

anamorphosis-and-isolate:― Liv & Ingmar (2012)“…and that’s a good lesson to learn in life. Let g

“Chopin was emotional, but not mawkish. Feeling is very far from sentimentality, The preulde t

glassribbon:Scenes from a marriage. Scene 1: Innocence and panic (Liv Ullmann, Ingmar Bergman)

Liv Ullman and Ingmar Bergman on the Set of Hour of The Wolf, 1968

Liv Ullmann in Autumn Sonata (dir. Ingmar Bergman) and Helga in Andrew Wyeth’s “Braids” 

Liv Ullmann. Persona (1966, Ingmar Bergman).

“Private Confessions he said was one of his favorite films, and he wanted me to do it because

andreii-tarkovsky:”There’s only one demand and that is to be alive.” - Ingmar Bergman 

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