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The Red Cross Knight, John Singleton Copley, 1793
Satan Calls on Beelzebub in Hellfire (from Milton’s Paradise Lost), Henry Fuseli (Johann Heinrich Fü
La Belle Dame sans Merci, Frank Dicksee, ca. 1901
Lit too BrightVicto NgaiCover illustration for Lit Too Bright by. “For fans of literary classics suc
Shi Jin, Toshikata Mizuno, 1884
Paolo and Francesca, George Frederic Watts, 1872-75
Dante’s Vision of Leah and Rachel, Marie Spartali Stillman, 1887
Jupiter and Mercury at the House of Philemon and Baucis, Johann Carl Loth, ca. 1659-62
The Barque of Dante, Eugène Delacroix, 1822
Dido and Aeneas (sometimes identified as Venus and Mars). Fresco in the Third Style from the House
Aeneas Fleeing from Troy, Pompeo Batoni, 1753
Rinaldo and Armida, François Boucher, 1734
Kullervo Cursing, Akseli Gallen-Kallela, 1899
Atalanta and Hippomenes, Nicolas Colombel, ca. 1680
Happinata Koju on a Rearing Horse, Utagawa Kuniyoshi (1798-1861)
Hao Siwen in the Snow, Utagawa Kuniyoshi, between 1845 and 1850
The Dragon Devouring the Companions of Cadmus, Hendrick Goltzius after Cornelis Cornelisz. van Haarl
Venus Led by Cupid to the Dead Adonis, Jacopo Bertoia, 1560-66
Circe Invidiosa, John William Waterhouse, 1892
Hamlet’s Vision,Pedro Américo, 1893
Ancient Roman fresco in the Second Style, depicting a member of the Scythian tribe of the Arimaspi a
Othello and Desdemona, Daniel Maclise (1806-1870)
Othello and Desdemona, Alexandre-Marie Colin, 1829
Lemminkäinen’s Mother, Akseli Gallen-Kallela, 1897
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