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SPECTRES OF STALIN.
russianavantgarde:El Lissitzky, Design for the Abstract Cabinet (Gouache and Collage), 1927.Avant-ga
Max Burchartz, Typografische Arbeiten, 1924–1931Although he never reached the level of fame attached
El Lissitzky, exhibition poster, 1929.
Supremist automatons: “New Man”, “Old Man”, “Gravediggers”, “Postman”.Figures from the opera, Victor
El Lissitzky - Sportsmen (1923)
Hannes Meyer, Co-op folding chair, directors chair, 1926. Switzerland.Designed for the Co-op Room fo
retroavangarda:El Lissitzky, 1923
El Lissitzky, Beat the Whites with the Red Wedge, 1919.Theodor Adorno writes:Ladies and Gentlemen, I
Dziga Vertov (Kino-Glaz) = DzigaVertov (Cinema-Eye)El Lissitzky (Russian; 1890–1941)1929Gelatin silv
El Lissitzky, The four basic arithmetical operations / Die vier Grundrechenarten, 1928. Silkscreen o
El Lissitzky – Proun 93 - Free-Floating Spiral (c. 1923)
Force Fields by PaulMade for the Comics Workbook Composition Competition 2017My previous entries to
arpeggia:El Lissitzky - 1o Kestnermappe Proun, 1923 | More
El Lissitzky, Cover design Wendingen magazine, 1921. The Nieuwe Instituut Collection. Via flickr
magictransistor:El Lissitzky. Had Gadya (A Single Kid). Kultur-Lige. 1919. El Lissitzky illustrated
nobrashfestivity:El Lissitzky
Untitled by El Lissitzky, 1917, Guggenheim MuseumThe Solomon R. Guggenheim Foundation Peggy Guggenhe
El Lissitzky, Proun 30, 1920. Stiftung Moritzburg
El Lissitzky, Pavilion of the Soviet Union at the “PRESSA” exhibition in Cologne, 1928
artisaword: El Lissitzky (1890–1941)Untitledc. 1919–1920Oil on canvas79.6 x 49.6 cmPeggy
El Lissitzky | The Constructor, self-portrait - 1924
El Lissitzky, Proun 93 (Konischer), 1923. Stiftung Moritzburg, Halle. Via Wiki
This fall, the Jewish Museum presents a rare opportunity to explore a little-known chapter in the Ru
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