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Costume Study for Nijinsky in his Role in La Péri. Léon Bakst (Russian, 1866–1924). Watercolor. MMOA
didoofcarthage:Cloaks from costumes for brigands in Daphnis et Chloé, designed by Léon Bakst and cre
Léon Bakst, Étude de décor pour Phèdre, 1923Mine graphite, aquarelle et gouache sur papier
Costume design by Leon Bakst for the Young Girl (Tamara Karsavina) in “The Firebird” by
spoutziki-art:Terror Antiquus by Leon Bakst (1908)
adhemarpo:Léon Bakst - Zinaïda Hippius (1906)
fawnvelveteen:Costume design by Leon Bakst for a Nymphe in Narcisse, 1911, watercolor on paper, Stra
Design for the Set of Shéhérazade (1910), Leon Bakst
suturesque:Leon Bakst’s costume designs for Alexander Tcherepnin’s Narcisse, 1911.
Le Spectre De La Rose, 1911, Design for Nijinksky’s Costume by Léon Bakst in Mikhail Fokine&rs
Léon Bakst, Cleopatra costume design for Ida Rubinstein,1909
ein-bleistift-und-radiergummi:Leon Bakst ‘Narcisse a Youth’,1911 & Nijinsky’s Faun Costume in ‘L
design-is-fine:Leon Bakst, costume for Sheherezade: L’Eunuque, 1922. Watercolor, pencil and silver p
Léon Bakst (1866-1924), ‘Portrait of Picasso’, 1917Source
Costume for Tamara Karsavina as Zobeïde by Leon Bakst from Scheherazade, 1911
the-supermodern-culture:Ballets Russes program - design for Nijinsky in “La Peri” by Leon Bakst - 1
luminous-void: Leon Bakst, Set design for ‘The Firebird’, 1910′s
artist-leon-bakst: Scheherazade la sultane bleue, 1910, Léon Bakst
barcarole:Some of Léon Bakst’s set designs for the Ballets Russes: Boris Godunov (1908) Scheherezade
Léon Bakst, The Sleeping Beauty “The Princess Pricks her Finger on a Spinning Wheel” 1913-1922
adhemarpo: Leon Bakst
art-of-darkness: Leon Bakst — Supper, 1902. Painting: oil on canvas. State Russian Museum. Lee
barcarole:Some of Léon Bakst’s set designs for the Ballets Russes: Boris Godunov (1908) Scheherezade
Costume design for ‘La Belle au Bois Dormant’: Mazurka dancer in gold (1921). Léon Bakst
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