Jacoblawrence
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chorisarautrui:“The lovers”  Peinture de l’artiste peintre américain JacobLawrence -1946-
chorisarautrui:“The lovers”  Peinture de l’artiste peintre américain JacobLawrence -1946-
Among one of the last groups to leave the South was the Negro professional who was forced to follow
Among one of the last groups to leave the South was the Negro professional who was forced to follow
Race riots were very numerous all over the North because of the antagonism that was caused between t
Race riots were very numerous all over the North because of the antagonism that was caused between t
The March from the series The Life of Toussaint L'Ouverture, Jacob Lawrence, 1995, MoMA: Drawings an
The March from the series The Life of Toussaint L'Ouverture, Jacob Lawrence, 1995, MoMA: Drawings an
Man on a Scaffold, 1985, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/man-on-a-scaffold-1
Man on a Scaffold, 1985, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/man-on-a-scaffold-1
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor cam
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor cam
They did not always leave because they were promised work in the North. Many of them left because of
They did not always leave because they were promised work in the North. Many of them left because of
Strike, 1949, Jacob Lawrence
Strike, 1949, Jacob Lawrence
The Negro press was also influential in urging the people to leave the South, Jacob Lawrence, 1940-4
The Negro press was also influential in urging the people to leave the South, Jacob Lawrence, 1940-4
Hiroshima, Jacob Lawrence, 1983, Minneapolis Institute of Art: Prints and Drawingsbinding: black cow
Hiroshima, Jacob Lawrence, 1983, Minneapolis Institute of Art: Prints and Drawingsbinding: black cow
The trains were packed continually with migrants, Jacob Lawrence, 1940-41, MoMA: Painting and Sculpt
The trains were packed continually with migrants, Jacob Lawrence, 1940-41, MoMA: Painting and Sculpt
They also worked in large numbers on the railroad, Jacob Lawrence, 1940-41, MoMA: Painting and Sculp
They also worked in large numbers on the railroad, Jacob Lawrence, 1940-41, MoMA: Painting and Sculp
Self-portrait, 1977, Jacob Lawrence
Self-portrait, 1977, Jacob Lawrence
jacob-lawrence:Harlem Street Scene, Jacob Lawrence, 1975, Brooklyn Museum: Contemporary ArtSize: She
jacob-lawrence:Harlem Street Scene, Jacob Lawrence, 1975, Brooklyn Museum: Contemporary ArtSize: She
War Series: Beachhead, 1947, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/war-series-beac
War Series: Beachhead, 1947, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/war-series-beac
Bar and Grill, 1941, Jacob Lawrence
Bar and Grill, 1941, Jacob Lawrence
War Series: Victory, 1947, Jacob Lawrence
War Series: Victory, 1947, Jacob Lawrence
Games - Sleight of Hand, 1999, Jacob Lawrence
Games - Sleight of Hand, 1999, Jacob Lawrence
The Swearing In No. 1, 1977, Jacob Lawrence
The Swearing In No. 1, 1977, Jacob Lawrence
The migrants arrived in great numbers, Jacob Lawrence, 1940-41, MoMA: Painting and SculptureGift of
The migrants arrived in great numbers, Jacob Lawrence, 1940-41, MoMA: Painting and SculptureGift of
The Builders, 1947, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/the-builders-1947
The Builders, 1947, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/the-builders-1947
jacob-lawrence: Vaudeville, 1951, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/vaudeville
jacob-lawrence: Vaudeville, 1951, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/vaudeville
In every home people who had not gone North met and tried to decide if they should go North or not,
In every home people who had not gone North met and tried to decide if they should go North or not,
Living conditions were better in the North, Jacob Lawrence, 1940-41, MoMA: Painting and SculptureGif
Living conditions were better in the North, Jacob Lawrence, 1940-41, MoMA: Painting and SculptureGif
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