Half Italian

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LIVE

Christ and the Samaritan Woman, Carlo Maratta, 2nd half of 17th century

Mercury Ordering Aeneas to Abandon Dido (detail)Orazio Samacchini (Italian; 1532–1577)second half of

Allegory of Celestial Love, Il Sodoma (Giovanni Antonio Bazzi), 1st half of 16th century

Theseus Discovering His Father’s Sword, Antonio Balestra, 1st half of 18th century

peashooter85:German or Italian hand and a half sword, 16th-17th centuryfrom Sofe Design Auctions

The Meeting of Pope Leo and Attila, Francesco Solimena, 1st half of 18th century

Trompe l’oeil Still Life, Sebastiano Lazzari (fl. 2nd half of 18th century)

Apollo and Daphne, Francesco Trevisani, 2nd half of 17th century

Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of

Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of

Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of

Portrait of Pase Guarienti, Venetian knight and noble, first half of the 16th cent.⠀Artist: Italian

lyghtmylife:Andrea Casali[Italian Rococo Era Painter, 1705-1784]Lucretiafirst half of 18th centuryoi

Italian half armor, circa 1590.from Peter Finer

Saint Ursula, Francesco Ruschi, 1st half of 17th century

Love Sleeping by Luca Cambiaso Italian, second half of the 16th centuryoil on canvasMuseo del Prado

Abraham and the Three Angels, Giovanni Battista Tiepolo, 1st half of 18th century

Children Begging. Anonymous. Italian, second half of the 17th century. Museu Nacional d'Art de Catal

The Liberation of Arsinoë, Tintoretto, 2nd half of 16th century

Fresh Egg Pasta Ingredients: 1 ⅔ cups Italian “00” flour (or half Italian “00&rdqu

Spaghetti alla puttanesca  half a cup extra virgin olive oil four cloves of garlic, minced five cups

Attributed to Luigi Garzi, Alpheus and Arethusa (detail), c. second half of 17th century or early 18

Giovanni Pietro Rizzoli, called Giampietrino, Salvator Mundi, c. fist half of 16th century. Tempera

Francesco Vanni, St. Catherine of Siena, c. second half of 15th century. Oil on canvas, 101.9 x 74.9

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