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sugaronastick: funkpunkandroll: (via godsnmonsters)
(via funkpunkandroll, mrgolightly, via)
funkpunkandroll84:Diana Ross performing I’m Gonna Wash That Man Right Outta My Hair on G.I.T. On Bro
funkpunkandroll84:Printer and gay activist Ruth Charlotte Ellis at a printing shop, c. 1940s.Born in
funkpunkandroll84:Boy holding a pride flag at a LGBT pride parade in San Francisco, June 1988, by Da
funkpunkandroll84:A shirtless Rajiv Surendra bringing back his Mean Girls character, Kevin G., on Bu
funkpunkandroll84:Just because I have my standards, they think I’m a bitch. – Diana Ross (shown here
funkpunkandroll84:A busboy and a patron about to make out at Studio 54 by Tod Papageorge, c. 1978
funkpunkandroll84: theblackpearlofwakanda: theambassadorposts: Idris Elba for ShortList magazine. ❤
funkpunkandroll84:tami-taylors-hair:Really? This broad can’t think of one time Jesus got in trouble
funkpunkandroll84: Ashton Sanders by Luke Austin for the book, LÉWÀ ❤️
funkpunkandroll84: A patron at Studio 54 by Bill Bernstein, 1979
cardozzza:funkpunkandroll84:enoughtohold:this is it. the wildest reaction to gay people kissing at p
funkpunkandroll84:A vintage gay black G.I. couple, c. 1940s
funkpunkandroll84:A vintage gay black G.I. couple, c. 1940s
funkpunkandroll84:Boy holding a pride flag at a LGBT pride parade in San Francisco, June 1988, by Da
funkpunkandroll84: Is anything important now? I don’t know What seems to be never will befrien
funkpunkandroll84: GAY LIBERATION NOW: Marsha P. Johnson, Bob Kohler and fellow members of the Gay L
funkpunkandroll84: Marsha P. Johnson at a Christopher Street Liberation rally with a curtain that ha
literarydaddy: funkpunkandroll84:Marlon Teixeira by Leonardo Corredor for Rollacoaster Magazine&rsqu
funkpunkandroll84: Diana Ross performing I’m Gonna Wash That Man Right Outta My Hair on G.I.T.
funkpunkandroll84: Studio 54 bartenders by Jean-Pierre Laffont, 1977
funkpunkandroll84: A busboy and a patron about to make out at Studio 54 by Tod Papageorge, c. 1978
funkpunkandroll84: Chaka Khan by Greg Gorman, 1982
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