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Louise Bourgeois, Lair. ca. 1962-63. Plaster, 1814 x 2914 x 2314". Private collection, New York
In developing Beverly Buchanan–Ruins and Rituals, which opens today, we hope to invite new readings
The final and most dimensional plate at The Dinner Party belongs to the only woman who was still ali
2017 Grant Recipient Spotlight: Judith BraunJudith Braun, a.k.a. Weinman, or Weinperson, began as a
Ana Mendieta with an Untitled Sculpture 1985
For Eyes of Time, Chitra Ganesh paired her own site-specific work with a curated selection of object
Ana Mendieta with an Untitled Sculpture 1985
The Chandelier of Lost Earrings Lauren Sagar & Sharon Campbell (2013)
Teresa Feodorowna Ries - The Witch (1895)
Ana Mendieta, Siluteta Series Work, 1973
Ana Mendieta, Untitled from the Silueta Series in Mexico, August 1976
2017 Grant Recipient Spotlight: Judith BraunJudith Braun, a.k.a. Weinman, or Weinperson, began as a
Samantha Conlon’s pieces at Soapbox by The Coven, Gal Space.
Anna Campbell, Grid for a Central Core Dickiecement, latex, 12” w x 6” d x 24” h,
Adejoke Tugbiyele — Kidnapped (skeleton palm stems, horse hair, vulcanite disks, dear ho
Ruth Asawa (January 24, 1926 – August 5, 2013) was an American sculptor of Japanese ances
thru Sept 11:“Ghost Bitch U.S.A.” Rebecca GoyetteFreight+Volume Gallery, 97 Allen S
Judith Scott’s work is celebrated for its astonishing visual complexity. In a career spanning
#tbt the second opening of #CliticalThinking at @daltongallery and the best host ever, Gallerist Lea
feministblackboard: In this picture you can see a naked woman meditating. It is a sculpture, presuma
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