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Eileen Gray, Bibendum club chair, 1926-1930. It is the only recorded Bibendum to have survived intac
Eileen Gray, Bibendum club chair, 1926-1930. It is the only recorded Bibendum to have survived intac
Èva Witz, Easter Egg, 1979-2003. Hungary. Via Museum of Applied Arts, Budapest
Èva Witz, Easter Egg, 1979-2003. Hungary. Via Museum of Applied Arts, Budapest
Mary Vaux Walcott, Autumn Leaves,1872. Watercolor on paper. USA. Smithsonian American Art Museum
Mary Vaux Walcott, Autumn Leaves,1872. Watercolor on paper. USA. Smithsonian American Art Museum
Marion Moran Cook, cover illustration for House Beautiful, 1930. Launched in 1896, the publication i
Marion Moran Cook, cover illustration for House Beautiful, 1930. Launched in 1896, the publication i
Norbertine von Bresslern-Roth, zebra finch, ducks, fantails, 1922. Cat, 1925. Crabs, 1926. Color lin
Norbertine von Bresslern-Roth, zebra finch, ducks, fantails, 1922. Cat, 1925. Crabs, 1926. Color lin
Maria Likarz-Strauss, Design for the Fabric “Monday”, 1928. Ink on paper. Via MAK Vienna.  
Maria Likarz-Strauss, Design for the Fabric “Monday”, 1928. Ink on paper. Via MAK Vienna.  
asamizrenk:my favourite female characters: lydia martin“I will not fall prey to society’s desi
asamizrenk:my favourite female characters: lydia martin“I will not fall prey to society’s desi
Bea Feitler, cover design for The Stones Black and Blue, 1976.
Bea Feitler, cover design for The Stones Black and Blue, 1976.
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Grete Jalk, GJ chair, 1963. Via Lange Production Denmark. 
Grete Jalk, GJ chair, 1963. Via Lange Production Denmark. 
Cini Boeri, chair “Ghost”, 1987. Curved glass. Italy. Via Cini Boeri
Cini Boeri, chair “Ghost”, 1987. Curved glass. Italy. Via Cini Boeri
Cini Boeri, armchair Bobo – “seduta giovane”, 1967. For Arflex, Italy. Photo Masera. The website of
Cini Boeri, armchair Bobo – “seduta giovane”, 1967. For Arflex, Italy. Photo Masera. The website of
Grete Jalk, chair, no date. Photo by Keld Helmer-Petersen, Denmark. Via kunstbib.dk
Grete Jalk, chair, no date. Photo by Keld Helmer-Petersen, Denmark. Via kunstbib.dk
Rita Leach, cover illustration of The Dance magazine, 1930. USA. Via Wolfsonian
Rita Leach, cover illustration of The Dance magazine, 1930. USA. Via Wolfsonian
salome-mi-ange-mi-demon:by Shaza.Wajjokh
salome-mi-ange-mi-demon:by Shaza.Wajjokh
Cini Boeri, crystal glass series CiBi, 1973. For Arnolfo di Cambio, Italy. Photo Ballo & Ballo.
Cini Boeri, crystal glass series CiBi, 1973. For Arnolfo di Cambio, Italy. Photo Ballo & Ballo.
Pegge Hopper, poster for food / salad, 1962. La Rinascente department store in Milan, Italy. From th
Pegge Hopper, poster for food / salad, 1962. La Rinascente department store in Milan, Italy. From th
Costume for a female performer designed by Leigh Bowery and made by Mr Pearl for 1987 dance performa
Costume for a female performer designed by Leigh Bowery and made by Mr Pearl for 1987 dance performa
Traditional Persian Rugs As Canvas To Spray-Paint Female Portraits by MateoStatement by the artist M
Traditional Persian Rugs As Canvas To Spray-Paint Female Portraits by MateoStatement by the artist M
Cini Boeri sitting on her armchair Ghost, 1987. Moulded glass, Fiam. Source Photo Boeri
Cini Boeri sitting on her armchair Ghost, 1987. Moulded glass, Fiam. Source Photo Boeri
This is the female greater skyeel with fullsail. Unlike aquatic fishes, back fins are only retracted
This is the female greater skyeel with fullsail. Unlike aquatic fishes, back fins are only retracted
Kate Greenaway (1846-1901), Design for tiles, 1863In the 19th century new technology made possible t
Kate Greenaway (1846-1901), Design for tiles, 1863In the 19th century new technology made possible t
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
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