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pre-raphaelisme:A Devonshire Orchard by John Maler Collier
davidnoten:a. Timothée Chalamet by Collier Schorrb. Alexander The Great
the-ghost-ship:Left: “Lilith,” 1892 by John Collier. Oil on canvas. The Atkinson Art Gallery.Right:
teir-ynys-prydein:Queen Guinevere’s Maying by John Collier.
pre-raphaelisme:detail of Marion Collier (née Huxley) by John Maler Collier, 1882-1883.
the-ghost-ship:Left: “Lilith,” 1892 by John Collier. Oil on canvas. The Atkinson Art Gallery.Right:
cdnart:Alan Collier; March Flows Into Winter
laclefdescoeurs:Vanitas - Still Life with Books and Manuscripts and a Skull, 1663, Edwaert Collier
Collier’s, December 12, 1902. Special Fiction Number. Artist: Frank X. Leyendecker. 19th-centu
The Quiet Hour. Collier’s Magazine Cover, May 4, 1907.“All men’s miseries derive f
Collier’s National Weekly. How to Have Poise. October 14, 1939. Robert O. Reid cover girl.Alth
John Collier - The Pharaoh’s Handmaidens (1883)
Alan Collier; Liard River
sollertias:Marion Collier (née Huxley) by John Collier, 1883 (detail)
Priestess of Delphi, John Collier, 1891
Lady Godiva by John Maler Collier
art-is-art-is-art:Death of Albine, John Collier
Antonio Mercurio Amorosi (1660 - 1738)Petite Fille Portant un Collier de Corail Tenant une Pâtisseri
Rudyard Kipling by John Maler Collier
The Priestess of Bacchus by John Maler Collier
Sarah Stilwell Weber (1878-1939), “Collier’s”, July 15, 1911Source
Portrait of Charles Darwin by John Collier, originally painted 1881. This is an 1883 copy by the art
Labor Day NumberEdward Penfield (American; 1866–1925)1902Color lithographThe New York Public Library
Labor Day NumberPoster for Collier’s magazine, Vol. XXVII, No. 22 (August 31, 1901)Artist: Edward Pe
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