Asian Artists
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Mandy Cao (Chinese, b. China, based Los Angeles, CA, USA) - 1: Rock In The Water, 2017, Oil on Wood 
Mandy Cao (Chinese, b. China, based Los Angeles, CA, USA) - 1: Rock In The Water, 2017, Oil on Wood 
Portrait of Benarem Pundit (after JohannZoffany)Mihr Chand (Indian; fl. ca. 1759–86), attributed tom
Portrait of Benarem Pundit (after JohannZoffany)Mihr Chand (Indian; fl. ca. 1759–86), attributed tom
subtlemag:Minority Rules: 2050, According to Jaret VaderaAAWW’s project to have 4 artists envi
subtlemag:Minority Rules: 2050, According to Jaret VaderaAAWW’s project to have 4 artists envi
KCET profiles artists working at the intersection of the Asian American & Latino communities in
KCET profiles artists working at the intersection of the Asian American & Latino communities in
Bamboo and Stone, Guan Daosheng (1262-1319)
Bamboo and Stone, Guan Daosheng (1262-1319)
boysaints:LISTEN HERE // a playlist of music by asian-american artists + bands from a variety of gen
boysaints:LISTEN HERE // a playlist of music by asian-american artists + bands from a variety of gen
Yamamoto Baiitsu (Japanese; 1783–1856) Yamamoto BaiitsuDoves and Peonies (detail)One of a pair of ha
Yamamoto Baiitsu (Japanese; 1783–1856) Yamamoto BaiitsuDoves and Peonies (detail)One of a pair of ha
Yamamoto Baiitsu (Japanese; 1783–1856) Yamamoto BaiitsuDoves and Peonies (detail)One of a pair of ha
Yamamoto Baiitsu (Japanese; 1783–1856) Yamamoto BaiitsuDoves and Peonies (detail)One of a pair of ha
Doves and PeoniesYamamoto Baiitsu (Japanese; 1783–1856)1844Ink and color on silk (one of a pair of h
Doves and PeoniesYamamoto Baiitsu (Japanese; 1783–1856)1844Ink and color on silk (one of a pair of h
Five Deer Beneath Red-leafed Maples BesideStreamMori Tetsuzan (森徹山)(Japanese; 1775 –1841)ca. 1800–47
Five Deer Beneath Red-leafed Maples BesideStreamMori Tetsuzan (森徹山)(Japanese; 1775 –1841)ca. 1800–47
Setchū take = Bamboo in SnowKamisaka Sekka (Japanese; 1866–1942)1909Woodcut In: Momoyogusa = Flowers
Setchū take = Bamboo in SnowKamisaka Sekka (Japanese; 1866–1942)1909Woodcut In: Momoyogusa = Flowers
”One of the biggest tools for getting people ‘woke’ is art. You can move people with art, and once y
”One of the biggest tools for getting people ‘woke’ is art. You can move people with art, and once y
Drew this while contemplating Asian American identity and how it greatly differs from Asian identity
Drew this while contemplating Asian American identity and how it greatly differs from Asian identity
joshualunacreations: From an early age, Asian artists are taught to erase ourselves and other peopl
joshualunacreations: From an early age, Asian artists are taught to erase ourselves and other peopl
Jane Lee (Singaporean, b. 1963, Singapore) - Melt VI, 2016  Paintings: Acrylics, Heavy Gel on Fiberg
Jane Lee (Singaporean, b. 1963, Singapore) - Melt VI, 2016  Paintings: Acrylics, Heavy Gel on Fiberg
Katherine Lam (Asian-American, b. MD, USA, based Queens, NY, USA) - Destinations III, Paintings: Dig
Katherine Lam (Asian-American, b. MD, USA, based Queens, NY, USA) - Destinations III, Paintings: Dig
Four DeerNakamura Hōchū (Japanese; before 1750–1819)1826 Woodblock print In: Kōrin gafu = The Kōrin
Four DeerNakamura Hōchū (Japanese; before 1750–1819)1826 Woodblock print In: Kōrin gafu = The Kōrin
Three PuppiesNakamura Hōchū (Japanese; before 1750–1819)1826 Woodblock print In: Kōrin gafu = The Kō
Three PuppiesNakamura Hōchū (Japanese; before 1750–1819)1826 Woodblock print In: Kōrin gafu = The Kō
Two Doves and Three SparrowsNakamura Hōchū (Japanese; before 1750–1819)1826Woodblock printIn: Kōrin
Two Doves and Three SparrowsNakamura Hōchū (Japanese; before 1750–1819)1826Woodblock printIn: Kōrin
Three PuppiesNakamura Hōchū (Japanese; before 1750–1819)1802Woodblock printIn: Kōrin gafu = The Kōri
Three PuppiesNakamura Hōchū (Japanese; before 1750–1819)1802Woodblock printIn: Kōrin gafu = The Kōri
Crows in the MoonlightSakai Hōitsu (Japanese; 1761–1828) after Ogata Kōrin (Japanese; 1658–1716)earl
Crows in the MoonlightSakai Hōitsu (Japanese; 1761–1828) after Ogata Kōrin (Japanese; 1658–1716)earl
Pussy WillowsSakai Hōitsu (Japanese; 1761–1828), copy after20th centuryColor woodcut Connecticut Col
Pussy WillowsSakai Hōitsu (Japanese; 1761–1828), copy after20th centuryColor woodcut Connecticut Col
Soga Shōhaku (Japanese; 1730–1781)Eight Views of the Xiao and Xiang Rivers ca. 1770 Ink and gold on
Soga Shōhaku (Japanese; 1730–1781)Eight Views of the Xiao and Xiang Rivers ca. 1770 Ink and gold on
Fair Feather Friends 14: Deos MioMore Episodes!1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |
Fair Feather Friends 14: Deos MioMore Episodes!1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |
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