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Günther Kieser, poster for American Folk Blues Festival, 1968 Since 1962 Kieser worked primarily for
talesfromweirdland:Illustrations by Leo and Diane Dillon from a book of African American Folktales.
Birchbark box of the southeastern Ojibwe people. Artist unknown; after 1865. Now in the Peabody Mu
Two Lives ➤ Rare Americansour son, the kids father just said “fuck the world”ain’t comin’ back, skip
schweizercomics:My Patreon paper figure set this (last) month is APPALACHIAN FOLK MONSTERSso here y’
Birchbark box of the Mi’kmaq (Micmac) people. Said to have been collected in New Brunswick in 1829;
The Grave of William Penn, Edward Hicks, 1847
fujisan-ni-noboru-hinode:In the immediate years following the war, American folk and country music d
Warrior doll of the Lakota people. Now in the Peabody Museum, Harvard University.
Ainer Owenby playing guitarDoris Ulmann (1882-1934)
Fourmile Polychrome bowl of the Anasazi people. Artist unknown; ca. 1350-1400. Now in the Brooklyn
Design from Pennsylvania Germans, 1930s. The Index of American Design: The Metropolitan Museum of Ar
Three Graces of the Appalachians (2019)
Illustrations by Leo and Diane Dillon from a book of African American Folktales. Love that fourth on
Sugpiaq/Alutiiq mask from the Yukon River. Artist unknown; acquired in 1890. Now in the British Mu
Carved pipe of the Haida people, Queen Charlotte Islands, British Columbia. Now in the Peabody Muse
Chief’s rattle of the Haida or Tlingit, Pacific Northwest. Artist unknown; ca. 1850-1880. Now in t
Bird mask of the Tsimshian people, used in initiation ceremonies. Artist unknown; 19th century. Co
Kwakiutl transformation mask. Artist unknown; collected on Harbledown Island, British Columbia, in
vimyvickers:Precisely what it says on the tin. American folksongs and ballads about trains.Cover is
Navajo blanket/rug. Artist unknown; early 20th cent. Now in the Honolulu Museum of Art.
Beaded cuff (rawhide, glass beads, and silk), one of a pair, of the Sioux people of the Great Plains
Fanny Young Cory (1877-1972), “St. Nicholas”, #5, March 1914Source
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