African Dance
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“She will not shrink herself to make others feel comfortable ” by Renike
“She will not shrink herself to make others feel comfortable ” by Renike
African Beauty Anbuleyinstagram.com/anbuleyoriginanbuley.com
African Beauty Anbuleyinstagram.com/anbuleyoriginanbuley.com
Dance shield (ndomi) of the Kikuyu people, Kenya.  Artist unknown; early 20th century.  Now in the B
Dance shield (ndomi) of the Kikuyu people, Kenya.  Artist unknown; early 20th century.  Now in the B
Model: @tiwasavage Hair: @who_is_chynabee Mua: @joycejacob_jjb Assist: @pablopicarts Backdrop: @grav
Model: @tiwasavage Hair: @who_is_chynabee Mua: @joycejacob_jjb Assist: @pablopicarts Backdrop: @grav
Reed dance in Swaziland, via Emanuele Stano.
Reed dance in Swaziland, via Emanuele Stano.
The works in Disguise: Masks and Global African Art are organized around the idea that masquerade is
The works in Disguise: Masks and Global African Art are organized around the idea that masquerade is
rp. @nzingaimani  Disney is making this way harder than it has to be! @olay.mia all the way!
rp. @nzingaimani  Disney is making this way harder than it has to be! @olay.mia all the way!
Pwoom itok dance mask of the Ngeende people, Kasai province, Democratic Republic of the Congo.  Arti
Pwoom itok dance mask of the Ngeende people, Kasai province, Democratic Republic of the Congo.  Arti
“On my very first day as a graduate student in art history at Yale, I was delighted to have a class
“On my very first day as a graduate student in art history at Yale, I was delighted to have a class
Jeannie Bell as “Dianne” a go-go dancer in Martin Scorsese’s 1973 film, Mean Stree
Jeannie Bell as “Dianne” a go-go dancer in Martin Scorsese’s 1973 film, Mean Stree
A promotional photograph of dancer and musical comedy star Aida Overton Walker, who as some of you m
A promotional photograph of dancer and musical comedy star Aida Overton Walker, who as some of you m
The works in Disguise: Masks and Global African Art are organized around the idea that masquerade is
The works in Disguise: Masks and Global African Art are organized around the idea that masquerade is
Sanford Biggers’s quilt series recalls the supposed use of quilts sewn in specific patterns as signp
Sanford Biggers’s quilt series recalls the supposed use of quilts sewn in specific patterns as signp
Africa.  Kenya. Lamu Island. 2019.
Africa.  Kenya. Lamu Island. 2019.
South African Dancer and Actress taking her bathroom Break.
South African Dancer and Actress taking her bathroom Break.
Zulu reed dance, via Cheehan Ng
Zulu reed dance, via Cheehan Ng
30 nuances de noir-es / Black French Feminist Marching BandPart 2/4 (REJOICE)March 2017 / Barbès / P
30 nuances de noir-es / Black French Feminist Marching BandPart 2/4 (REJOICE)March 2017 / Barbès / P
“Aṣọ-òkè is not just an artwork—it’s a way of life.” —Professor Felicia Ogunsheye, Ìbàdàn, Nigeria.
“Aṣọ-òkè is not just an artwork—it’s a way of life.” —Professor Felicia Ogunsheye, Ìbàdàn, Nigeria.
colorfuldiaspora:Chango (Xango, Shango) is a warrior, the Orisha of lightning, dance, and passion. H
colorfuldiaspora:Chango (Xango, Shango) is a warrior, the Orisha of lightning, dance, and passion. H
cma-african-art: Eshu Dance Staff, 1800s, Cleveland Museum of Art: African ArtSize: 62 cm (24 7/16 i
cma-african-art: Eshu Dance Staff, 1800s, Cleveland Museum of Art: African ArtSize: 62 cm (24 7/16 i
cma-african-art: Eshu Dance Staff, 1800s, Cleveland Museum of Art: African ArtSize: 62 cm (24 7/16 i
cma-african-art: Eshu Dance Staff, 1800s, Cleveland Museum of Art: African ArtSize: 62 cm (24 7/16 i
cma-african-art: Eshu Dance Staff, 1800s, Cleveland Museum of Art: African ArtSize: 62 cm (24 7/16 i
cma-african-art: Eshu Dance Staff, 1800s, Cleveland Museum of Art: African ArtSize: 62 cm (24 7/16 i
You may have seen this egúngún masquerade dance costume several years ago when it was exhibited in D
You may have seen this egúngún masquerade dance costume several years ago when it was exhibited in D
sbrown82:An African Dancer by Richmond Barthé (1934)
sbrown82:An African Dancer by Richmond Barthé (1934)
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