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1five1two:‘The Song of Songs’. Eric Gill. 1925.

1five1two:The figure of Melusine, at the 16th century sculpture garden of Bomarzo, Italy.

1five1two:The Dispensation of Numbers. Karl von Eckhartschausen.

1five1two:Jean-Michel Basquiat.

1five1two:‘Temple Dance of the Soul’. Hugo Hoppener aka Fidus. 1910.

1five1two:The figure of Melusine, at the 16th century sculpture garden of Bomarzo, Italy.

1five1two: The figure of Melusine, at the 16th century sculpture garden of Bomarzo, Italy.

1five1two: The figure of Melusine, at the 16th century sculpture garden of Bomarzo, Italy.

1five1two:Ancient stonework. Sacred district, Machu Picchu.

1five1two:Ancient stonework. Sacred district, Machu Picchu.

1five1two:Our Creator would never have made such lovely days and have given us the deep hearts to en

1five1two:Mysterious, mysterious is the Opener of the mysterious neterworld, the unveiler of the dar

1five1two:A very rare Celtic gold phalera with ‘Cemmunos’, God of the Animals. Circa 1st century BC.

1five1two:The figure of Melusine, at the 16th century sculpture garden of Bomarzo, Italy.

1five1two:‘The Assembly of the Gods’. Jacopo Zucchi. 1575-76. Oil on copper.

1five1two:‘Parsifal’. Hermann Hendrich. C. 1882.

1five1two:‘A Knight, Death and the Devil’. Albrecht Durer. 1513. Royal collection Trust.

1five1two:The golden ratio is a reminder of the relatedness of the created world to the perfection o

1five1two:Ancient stonework. Sacred district, Machu Picchu.

1five1two:Temple of the Sun. Palenque, Chiapas, Mexico.

1five1two:She taught them the ministry of her rites,And revealed to them her beautiful Mysteries,Whi

1five1two:Etching. Sylvie Thouron. Untitled.

1five1two:Center of all centers, core of cores,almond self-enclosed and growing sweet–all this

1five1two:The golden ratio is a reminder of the relatedness of the created world to the perfection o

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