Tenebrism Gallery
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St. Sebastian Tended by Irene, attr. to Georges de La Tour, early 1630s
Madonna di LoretoCaravaggio (Italian; 1571–1610)ca. 1603–6Oil on canvasBasilica di Sant'Agostino, Pi
Democritus, or Archimedes by Jusepe de Ribera1630oil on canvasMuseo del Prado
The Dentist, Gerard (Gerrit) van Honthorst, 1622
The Inspiration of St. Matthew, Caravaggio, 1602
The Crucifixion of St. Andrew, Caravaggio, 1606
The Return of the Prodigal Son, unknown Italian (Neapolitan) artist, ca. 1630s
Matthias Storm - “The Incredulity of St. Thomas”
irlkaijugroupie:Image Description: A textured digital painting in low tenebrism, of humanized Hollow
artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi
Pietà (detail, 1633) José de Ribera
Copy of Jusepe de Ribera or Jose de Ribera, also called Lo Spagnoleto (Xativa, Spain 1591 - 1652 Nap
artemisia-gentileschi-art: Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-
artemisia-gentileschi-art: Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-
artemisia-gentileschi-art: Lucretia, 1642, Artemisia Gentileschi
artemisia-gentileschi-art: Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-
artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi
Valentin de Boulogne - Judith with the head of Holofernes (1626)
Philippe de Champaigne (Brussels 1602 - 1674 Paris), The Dead Christ, before 1654. Musée du L
Judith Slaying Holofernes by Gentileschi Aren’t Baroque feminists fun?
magictransistor: Manuel Álvarez Bravo. Portrait of the Eternal. 1935.
artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi
Philippe de Champaigne (Brussels 1602 - 1674 Paris), The Dead Christ, before 1654. Musée du L
Jusepe de Ribera, Mary Magdalene, 1641.
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