Tate Collection Gallery

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‘The Interior of the Colosseum’, William Pars, c1775. Tate collection.Hardly recognisable.

The Ruins of the Colosseum, c.1660–90. - Thomas Manby. Tate Collection.

Sir Cedric Morris, The Eggs, 1944, oil on canvas, 61.5 x 43.2 cm, Tate Collection. SourceThe pastel

Untitled, 1978. Samuel Fosso. Tate collection

Mammon. 1884–5. George Frederic Watts. Tate Collection. “In 1880 (Watts) wrote, ‘Material pros

The Destruction of Pompei and Herculaneum. 1822. John Martin. Tate Collection, London.

Insertions into Ideological Circuits 2: Banknote Project, 1970. - Cildo Meireles. Tate Collections.

Flores-Fleurs - Flowers , Pablo Picasso.1901Oil on canvas. Tate CollectionThis was the first work by

Colour these Workers Sold Out. 1974–5. - Gavin Jantjes. Tate Collection. “Colour these Workers Sold

oldroze:George Frederick Watts (1817-1904) Hope 1886 Oil on canvas 142 x 111 Tate CollectionIn the B

Mammon. George Frederic Watts, 1884, Tate Collection, London. “Watts, in common with such social com

Queensrÿche: Greatest Hits© 2000 Capitol Records Inc.—–Professional Reviews—&ndash

Queensrÿche: Empire (24 Karat Gold Disc)© 2000 EMI-Capitol Music Special Markets/DCC Compact Classic

Smutty, 1982. Robert Mapplethorpe. Tate Collection, London.

Smutty, 1980. Robert Mapplethorpe. Tate Collection, London.

Cleaning nets, Skinningrove, 1981 - Chris Killip. Tate Collection

Portrait of a Woman, 1912. Mark Gertler. Tate Collection.

An Avalanche in the Alps, 1803. Philip James De Loutherbourg. Tate Collection, London.

The Deluge, c1800s. - Joseph Mallord William Turner. Tate Collection.

Frank Auerbach — Playing Card - Two Heads J.Y.M., 1969. Printmaking: screenprint on paper, 82 x 61

‘Narcissus’, 1990. Mat Collishaw. Tate Collection.

Emile Bernard, 1895. Henri de Toulouse-Lautrec. Tate Collection. “Bernard later recalled

Whitby, c.1824. Joseph Mallord William Turner. Tate Collection, London. The cliff-top abbey rui

Roman Ruins - c1780s. Jacob More - Tate Collection.

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