Roman Paintings Gallery
elvira snow
bloodhounds
bloodhounddog
longears
bloodhoundoftheday
Psyche Discovering the Sleeping Cupid (Italy 1710-20)
Classical Figures Seated by Ruins in an Italianate LandscapeJan Frans van Bloemen, called l'Orizzont
Dorina Costras (Romanian, b. 1967, Iasi, Romania) - Romance With A Chimera, 2013 Paintings: Acrylic
Fro and Butterflies Framed art decorFollow@kira_the_artist #Black #art #blackart #blacklove #love #a
kyle-marffin:Dark-Winged Angels: Roberto FerriSumptuous oil paintings by Taranto, Italy romantic pai
Nymph and Cupids by Thomas Couture (1860)
Landscape with Diana and Nymphs by Cornelis van Poelenburgh (17th Century)
Victor Man (Romanian, b. 1974, Transylvania, Romania, based Cluj, Romania) - Fragile, 2005 from Fare
L’Enrôlement des Volontaires de 1792 = Enrollment ofthe Volunteers of 1792Thomas Couture (French; 18
ephemeral-elegance:It’s FRIDAY FASHION FACT! Today we are discussing another very specific piece of
The Race of the Riderless HorseThéodore Géricault (French; 1791–1824)1817Oil and pen and ink on pape
The Sack of Rome by the Barbarians in 410Painted by Joseph Noel Sylvestre in 1890.
art-of-eons:View of the Roman ruins with the Arch of Constantine by Carlo Fontana, 1830s.
On the Cóte d’Opale, PicardyRichard Parkes Bonington (British;1802–1828)ca. 1825–6Oil on canvasColle
detailedart:〰 Intense Stares (3rd version).
huariqueje:Tranquil Interlude, Inside a Roman Palace(Detail) - Edouardo Ettore Forti ,n/d.Italian,
"The Nightmare" (1790–91) - Johann Heinrich Füssli
hierophilic:frenchmatte:Hands in Art. 1) Anselm Feuerbach, half-length portrait of a Roman Woman(det
history-of-fashion:1793 Adèle Romany - Portrait of Auguste Vestris(Rhode Island School of Design Mus
Guido Reni(1575–1642) ~ L'Aurora~ c. 1612-1614,frescoCasino dell’Aurora, Palazzo Rospigliosi Pallavi
George Pauli - Roman Bath (1881)
View Near RouenRichard Parkes Bonington (English; 1802–1828)ca. 1825Oil on millboardThe Metropolitan
detailedart:Details (#1) of Half-Length Portrait of a Roman Woman (1862/1866), by Anselm Feuerbach.
The Lecture by Vittorio Reggianini (1858–1938)
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