Radical Aesthetics Gallery

microdermals “nier mid 1960s Eurasia future mrs-r-ohgirl
A NATION IS A MASSACREDemian DinéYazhi’ & R.I.S.E.: Radical Indigenous Survivance & Empowerm
templeoftheflood:Nagisa Oshima’s “In the Realm of the Senses” (1976)There are certain films which ar
The Avant-Garde Doesn’t Give Up (1962) - Asger Jorn.
Black Flag, Unfinished Marble (Errico Malatesta) (2011) - Sam Durant.
noceans:Sursumdeorsumphobia foil, blu tack elevator installation 2014The torture chambers of late ca
Demian DinéYazhi´&R.I.S.E.: Radical Indigenous Survivance & EmpowermentA Nation Is A Massacr
Poster published by the Industrial Workers of the World (IWW) in Australia against conscription (191
hidden-writing:`Cowboy 1: “What’s your scene, man?” Cowboy 2: “Reification” Cowboy 1: “Yeah? I guess
cavetocanvas:Robert Motherwell, Elegy to the Spanish Republic, No. 57, 1957-60NO PASARAN.
surreelust:La Memoire by Rene Magritte (1948)Every Magritte contains within it a reference to the en
babylonfalling:Emory Douglas, The Black Panther (1968)Pigs on horseback charged protestors at my uni
ucdeleeuw:Sqcult vol. 2//15th of August 2014 @ Animal HouseSulfurSulfur trigger unstoppable waves of
Can Dialectics Break Bricks? (1973) - Rene Vienet.
A NATION IS A MASSACREDemian DinéYazhi’ & R.I.S.E.: Radical Indigenous Survivan
In the 1960s artists began to use their own bodies as expressive material in works that exist at the
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