Gno Gallery
breakattempt32
western force
haruhiko
funny newtina
stag night
gnossienne:The Irish Aesthete: Ruins of Ireland, by Robert O'Byrne
gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)
gnossienne:“This is very helter-skelter stuff, I’m afraid. But what can you expect from
gnossienne:“Music, When Soft Voices Die”, by Percy Bysshe Shelley (1821)
gnossienne:From Katie Mitchell’s “…some trace of her”, based on Fyodor Dost
gnossienne:Temple of Bacchus, Baalbek, Lebanon (c. 1954)
gnossienne:Handel’s Tamerlano (top) and Alcina (Dutch National Opera, 2015)
gnossienne:Marcel Duchamp, “The Creative Act” (1957)
gnossienne:John Carlsson, Dollhouse and furnishings (1912)
gnossienne:from I Am Otherwise: The Romance between Poetry and Theory after the Death of the Subject
gnossienne:Anne Carson, “Wildly Constant”
gnossienne:Vivienne Westwood presents SEMELE WALK (after Handel), at KunstFestSpiele Herrenhausen (2
gnossienne:The Parthenon (c.1865 - c.1889)
gnossienne:Mahmoud Darwish (محمود درويش, 1941 – 2008), “A Lover from Palestine&rdqu
gnossienne: The blood moon is framed by the statues of Hera and Apollo in Athens (x)
eggplantgifs: Satoko Miyahara, Gnossienne No.1 / Metamorphosis II ↳ 2020 Japanese Nationals
gnossienne:James Baldwin in Istanbul (1966)
christophercarrioned:gnossienne:T.S. Eliot, from Preludes (1920)@thunderloved
gnossienne:Palacio Nacional da Ajuda, Lisboa
gnossienne: From Letters & Memorials of Jane Welsh Carlyle (1894)
gnossienne: James Baldwin, The Price of the Ticket (1985)
gnossienne:Homer’s Iliad, trans. Prentiss Cummings
gnossienne: Mary Oliver, “Wild Geese”
gnossienne:A mobile library van in Accra
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