Gno Gallery

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gnossienne:The Isle of Skye, as featured in Macbeth (2015)
gnossienne:Niroot Puttapipat’s illustrations for the Folio Society’s “Myths and Legends of Russia” (
gnossienne:“To desire and be desired, what could be simpler?” – Anne Carson, Plainwater
Yet when the berried holly-treeAt winter smiles, a gleamOf something genial comes to blessThe not un
Scenes from a morning walk (© gnossienne, please do not remove credit)
gnossienne:Jane Hirshfield, “Vinegar and Oil”
gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)
gnossienne:Gandhi (dir. Richard Attenborough, 1982)
gnossienne:John Ruskin’s study of the exterior of the Ducal Palace, Venice (1865)
gnossienne:Jack Rennie as Orfeo for Opera Atelier 09/10
gnossienne:La clemenza di Tito (L.A. Opera, 2019)
gnossienne:Alberto Caeiro (Fernando Pessoa), XLVIII (1914)
gnossienne:Erté, design for stage set for “Les Mariages” (1924)
gnossienne:Mary Shelley, Frankenstein
gnossienne:excerpt from Plato’s Symposium, trans. Anne Carson
gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)
gnossienne:Mary Oliver, “Wild Geese”
gnossienne:i) anne carson, “why i wrote two plays about phaidra” (2008) ii) portrait de la jeune fil
gnossienne:A boy gives a raised fist salute in front of the New Haven courthouse during a demonstrat
gnossienne:Temple of Bacchus, Baalbek, Lebanon (c. 1954)
gnossienne:Image taken from page 219 of 1897 edition of ‘Jane Eyre’
gnossienne:i) h.d. “eurydice”ii) the veiled mirror and the woman poet by elizabeth caroline dodd
gnossienne:From the first British edition of Brideshead Revisited: The Sacred & Profane Memories
gnossienne:Mary Oliver, “Wild Geese”
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