Draculasdaughter Gallery
三嵜みさと
alexander wang 2013
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draculasdaughter:Cover art for Black Heather, Virginia Coffman, Lancer Books, 1968.
draculasdaughter:Le viol du vampire (Jean Rollin, 1968)
draculasdaughter:Vintage Postcards, 1910s.
draculasdaughter:It is within Inferno though that this notion of an ‘impossible place’ is most evide
draculasdaughter:14 Vicious Valentines (Avon Books, 1988)
draculasdaughter:The Man Who Laughs (Paul Leni, 1928)
draculasdaughter:Lyda Borelli. Photographed by Mario Nunes Vais, 1901-1925.
draculasdaughter:The Blair Witch Project Miniature Model inspired by the real Griggs House Maryland
draculasdaughter:The Velvet Vampire (1971) dir. Stephanie Rothman
draculasdaughter:Perfect Blue (Satoshi Kon, 1997)
draculasdaughter:Italian poster (details) for Le frisson des vampires or The Shiver of the Vampires,
draculasdaughter:Bookplate for G. Jansen by F. Luyckx, Belgium.
draculasdaughter:Kirsten Lindholm’s publicity photoshoot for “The Vampire Lovers”, Roy Ward Baker, 1
draculasdaughter:Malombra (ITA 1917, Carmine Gallone). Photographs of the tinted and toned nitrate p
draculasdaughter:Poster for Immoral Women (Les héroïnes du mal), Walerian Borowczyk, 1979.
draculasdaughter: Dante’s Inferno (1911) dir. Giuseppe de Liguoro, Francesco Bertolini & Adolfo
draculasdaughter:Barbara Steele in I lunghi capelli della morte or The Long Hair of Death, Antonio M
draculasdaughter:Serial Mom (John Waters, 1994)
draculasdaughter:Marina Pierro in La morte vivante or The Living Dead Girl, Jean Rollin, 1982.
draculasdaughter:Like the formation of the image of Christ on the Veronica Veil and the Turin Shroud
draculasdaughter: Gloria Stuart in The Old Dark House, 1932.
draculasdaughter:Uzumaki (Higuchinsky, 2000)
draculasdaughter: Lyda Borelli in Rapsodia satanica (Nino Oxilia, 1915/1917)
draculasdaughter:Raccoon resting on chair, Ambrotype, ca. 1855-1860.
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