Brooklyn 9 Gallery

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Mask depicting ritual scarification, of the Ngbaka people, Nord-Ubangi province, Democratic Republic
We’re honoring Pride Month with a look at LGBTQ+ artists who use languages of craft, textile, handiw
“One of my favorite works in the Museum’s collection is Fred Wilson’s striking Grey Area (Brow
Over the course of five years more than 400 volunteers traveled to The Dinner Party studio in Santa
In anticipation of the (now virtual) New York Caribbean Week and the annual Labor Day Parade, this A
Mini Art Lesson     Tuesday, May 12, 2020For today’s Mini Art Lesson, we’re exploring ho
“Bob Thompson’s work always resonates with a look backward—towards European Renaissance
“Byron Kim’s Sunday Paintings represent the Brooklyn-based artist’s weekly ritual
What does it mean to have a seat at the table? Who gets to decide? Judy Chicago and her team evidenc
Mel Chin employs a broad range of approaches and mediums to investigate how art can provoke greater
Imagine you could enter this artwork. How would you describe this setting? What would the temperatur
Out of Place: A Feminist Look at the Collection showcases forty-four artists whose practice require
Black women were the heartbeat of the Civil Rights and Black Power movement, often working behind th
Teens, 1959photo: Bruce Davidson
These three video works, all featured in UOVO Prize-winning artist John Edmonds’ program for Art on
Did you know that the Brooklyn Museum brings in new acquisitions for our renowned collection from ma
Betye Saar’s 1972 assemblage piece, The Liberation of Aunt Jemima reclaims the image of Aunt Jemima,
“Kiki Smith feels like such a necessary artist at this moment. Coming into her own creatively
Betye Saar’s The Liberation of Aunt Jemima: Cocktail combines the iconography of the Black Power Mov
Created in the late 19th century in Shiraz, Iran, this object is one of four large panels from a dec
Many objects within the Brooklyn Museum collection were found on excavations including this beautifu
A Call for Cultural CourageDear Friends,On opening night of the TED2017 conference, just before head
The Brooklyn Museum community is greatly saddened to learn of the death of Emma Amos (1937 – 2020).
Drawing its title from a 1989 Guerrilla Girls poster declaring “You’re seeing less than half the pic
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