Abstrakt Kunst Gallery
richart
chapter 2 pg 116
villainkirishima
otwicepairing
tinashephotoshoot
El Lissitzky, study for New Man and sheet of Victory over the Sun, portfolio, 1923. Henry Millner, c
Otto Freundlich, Composition, 1939. Pontoise, Musée Tavet-Delacour. Source RBA
Paul Klee, Camel, 1920. Kunstsammlung NRW. From the exhibition To Egypt! The travels Max Slevogt and
Hans Hinterreiter, Opus 152, 1962. Switzerland.
Otto Freundlich, La Rosace II, 1941. Donation Freundlich – Musées de Pontoise. Exhibition Museum Lud
Otto Nebel, Prussian Towers, Preussentürme, 1930. Drawing. Kunstmuseum Bern
Walter Dexel, Composition with half disc, 1926. Gouache and ink over lead pencil. Source
Paul Klee, Bildnerische Form- und Gestaltungslehre, II. 19 Progressions, BGII 19/55. Zentrum Paul Kl
Karl Benjamin, #3, 1969.
Lyonel Feininger, Schären-Kreutzer, 1930
Lyonel Feininger, Gelmeroda IX, 1926Through meeting Julia Berg, the woman who would later become his
Eva Hesse, Untitled, 1966. Brown ink with wash. Source Renaissance Society, University of Chicago.
Otto Freundlich, Composition, 1940. Gouache on paper. Wilhelm-Hack Museum, Ludwigshafen. Photo Joach
Adolf Richard Fleischmann, Untitled,1954. Oil on canvas. Via KettererKunst
Paul Klee, Death and Fire / Tod und Feuer, 1940. One of the last paintings before his death in June
Bruno Munari, Negativo positivo, 1953. Italy.
Karl Peter Röhl, Grosse Frankfurter Folge, Blatt 20, 1926. Röhl was the designer of the first bauhau
Paul Klee, Tomb in Three Parts, 1923. Philadelphia Museum of Art, The Louis E. Stern Collection
halogenic:Eva Hesse, “Rope Piece”, 1970Eva Hesse, Untitled (Rope Piece), 1970
untitled, 2012 [a0016 ab-fo] by Henrik Langsdorf
sunbows: Rime Brune (1960), Pablo Palazuelo Rime Brune - Pablo Palazuelo, 1960
untitled, 2012 [a0033 ar-sp] by Henrik Langsdorf
primary-yellow: PABLO PALAZUELO SYDUS XII, 1997 PRIMARY YELLOW Pablo Palazuelo, Sydus III, 1997
dustulator: Eva Hesse “Ennead” 1966 x Jil Sander S/S 09 Eva Hesse, Ennead, 1966.
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