1500s Gallery

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The “Katharinenaltar” by Lucas Cranach the Elder Retable de sainte Catherine 1506
Portrait of a woman, possibly Isabella d'Este by Giovanni Francesco Caroto, 1505-10
medievalpoc:aseantoo submitted:Guidoccio CozzarelliThe Libyan SybilItaly (late 1400s to early 1500s)
Christ tied to the column with St. Peter and donors by Alejo Fernández, 1508
Bernardino Licinio, A Family Group, 1524. Oil on canvas, 123.2 x 177.3 cm. Royal Collection, UK.
Female Figure, 1500s, Cleveland Museum of Art: African ArtSize: Overall: 5.7 cm (2 ¼ in.)Medi
Detail from The Garden of Earthly Delights by Hieronymus Bosch, 1490-1510.•Follow for more: Instagra
Agnolo Bronzino, Deposition of Christ (detail), 1540-1545
Episodes of the Life of Sts. Valerian and Tiburtius by Amico Aspertini,1506
Playing cards by the Monogrammist PW of Cologne, c. 1500
Shaving the fool (detail) by an anonymous artist, 1570-1600.•Follow: Instagram | Pinterest
Detail from The Garden of Earthly Delights by Hieronymus Bosch, 1490-1510.•Follow: Instagram | Pinte
Leafs from a calendar, late 1540s-early 1550s.•Follow: Instagram | Pinterest
Detail from The Garden of Earthly Delights by Hieronymus Bosch, 1490-1510.•Follow: Instagram | Pinte
A masked woman carried by the hand of a masked man with a torch / Een gemaskerde vrouw aan de hand m
philamuseum:By the early 1500s, particularly in northern Italy, there was a new demand for paintings
illustration of Petrarch’s I Trionfi by Jean Pichore, 1503 France
Titian, Penitent Magdalene, 1531 versionScholars like Heather Sexton Graham have addressed the probl
Frans Floris, Study of the Head of a Woman, 1555. Oil on oak panel, 41.5 x 32 cm. Kunsthistorisches
Paintings depicting scenes from the Old Testament, Andalusian School, 1500-20
 "Basilica San Paolo fuori le mura" Basilica Cycle 5 Basilica San Paolo by Hans Holbein th
Detail of Leda, attributed to the Workshop of Leonardo da Vinci (1510-1515)
Pseudo Jan Wellens de Cock, Calvary (detail), 1520. Oil on panel, 172.5 × w 119cm. Rijksmuseum, Amst
The Judgment of Solomon by Giorgione, 1505
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